Call for Applications: British Archaeological Association Travel Grants, Due 15 May 2024

Call for Applications

British Archaeological Association

Travel Grants

Due 15 May 2024

Applications for travel grants are invited from students registered on post-graduate degree courses (at M.A., M.Litt., M.St., M.Phil., and Ph.D. level). Grants of up to £500 are available to cover travel for a defined purpose (such as essential site visits, attendance at an exhibition/conference, short research trip, etc). The awards will be made twice yearly, with deadlines for applications on 15 March and 15 May.

Applicants are required to provide one reference, together with a timetable and travel budget, and the objective of the travel must fall within the Association’s fields of interest (as defined below). Applicants should either be registered at a UK University or be undertaking work on material from, in, or related to the art, architecture or archaeology of the British Isles. Applicants are also responsible for asking their nominated referee to forward a reference directly to the Hon. Secretary within one week of the closing date for applications.

An application form follows on the second page. Once complete, this should be sent as an email attachment to the Hon. Secretary on secretary@thebaa.org Funds are limited, so the awards are competitive. If successful, the Association expects candidates to write a short account (150-350 words) of the travel facilitated by the award that could be posted on the BAA website.

BAA STATEMENT OF INTEREST
The Association’s interests are defined as the study of archaeology, art and architecture from the Roman period to the present day, principally within Europe and the Mediterranean basin. The core interests of the BAA are Roman to 16th century. We only entertain applications that cover the 17th to 21st centuries if they are of a historiographical, conservationist or antiquarian nature and link back to the BAA’s core interests.

For more information and the application form, visit https://thebaa.org/scholarships-awards/travel-grants/

International Conference: Refinement and/or Reduction? Gothic Art, Architecture and Culture, c. 1250 to 1350, Martin-Luther-Universität Halle-Wittenberg (23-25 May 2024), Register Until 12 May 2024

International conferencE

Refinement and/or Reduction?
Gothic Art, Architecture and Culture, c. 1250 to 1350

Institut für Kunstgeschichte und Archäologien Europas
Martin-Luther-Universität Halle-Wittenberg
23.05.–25.05.2024

Registration Until 12 May 2024

Concept and organization:
Prof. Dr Ute Engel (Martin-Luther-Universität Halle-Wittenberg)
Prof. Dr Christian Freigang (Freie Universität Berlin)

The international conference aims at an interdisciplinary reassessment of Gothic art and architecture between c. 1250 and 1350 in a broad European perspective. With an increased diversity of patrons and new technical facilities, the design options for artists and architects alike extended to a virtuoso refinement across media, on the one hand. On the other hand, new modes of reduction emerge, probably originating in economic, technical or programmatic tendencies of the time. The conference elucidates and discusses the cultural background of this paradoxical situation. Additionally, the conference intends to honour Paul Frankl (1878–1962), professor of the History of Art at the University of Halle 1921–1934. Forced into American exile, he became one of the leading scholars of the Gothic, based at the Institute of Advanced Studies in Princeton from 1940 onwards.

For a PDF of the program, click here.

For more information, click here.


Programme

Thursday, 23.05.2024

15.00 h Registration
16.00 h Welcome

PANEL 1
GOTHIC ART AND ARCHITECTURE C. 1250 TO 1350, AND ITS HISTORIOGRAPHY
(Chairs: Prof. Dr Ute Engel and Prof. Dr Christian Freigang)

16.15 h
Prof. Dr Ute Engel (Martin-Luther-Universität Halle-Wittenberg):
"Refinement and/or Reduction c. 1250 to 1350: An Introduction"

16.45 h
Prof. Dr Christian Freigang (Freie Universität Berlin):
“‘Doktrinäre Gotik – Reduktionsgotik‘. Architectural History between Criticism of Academicism and Theory of Space”

17.15 h
Prof. Dr Beatrice Kitzinger (Princeton University):
"Encountering Paul Frankl in the Princeton Archive"
17.45 h Discussion

19.00 h KEYNOTE LECTURE
Prof. Dr Paul Binski (University of Cambridge):
“Subtlety and Gothic Architecture”

20.00 h Reception


Friday, 24.5.2024

PANEL 2
PARIS AND COURT CULTURE
(Chair: Dr Antje Fehrmann)

9.00 h
Prof. Dr Dany Sandron (Sorbonne Université, Paris):
"Opus parisianum? Architecture in Paris c. 1250–1350"

9.30  h
Prof. Dr Lindy Grant (University of Reading):
“The Aesthetics of  Asceticism: Louis IX and Court Culture after the Return from the  1248–1254 Crusade”

10.00 h
Prof. Dr Michael T. Davis (Mount  Holyoke College):
"Synthesis, Invention and Transformation in French  Gothic Architecture, 1250–1320 "

10.30 h Discussion

10.45 h Coffee/Tea

PANEL 3
BEYOND PARIS  
(Chair: Prof. Dr Ute Engel)

11.15 h
Prof. Dr Michaelis Olympios (University of Cyprus, Nicosia):
"Architecture and Ritual at the Laon Cathedral Chapels"

11.45 h
Prof. Dr Christoph Brachmann (University of North Carolina Chapel Hill):
„The Simultaneity of the Non-Simultaneous”

12.15 h
Prof. Dr Etienne Hamon (Université de Lille):
"The Updating of Graphic Models from the 1300s in 15th-century Architecture and Decorative Arts: Some Examples from Central France"

12.45 h Discussion

13.00 h Lunch break

PANEL 4
CENTRES IN THE SOUTH  
(Chair: Prof. Dr Christian Freigang)

14.30 h
Dr Markus Schlicht (Université Bordeaux Montaigne):
"Refinement to Reduction: The Choir of Bordeaux Cathedral (from 1252)"

15.00  h
Dr Alexandra Gajewski (Burlington Magazine, London):
“Becoming a  Papal Residence: Churches and Chapels in Avignon, from John XXII to  Clement VI"

15.30 h
Dr Tom Nickson (Courtauld Institute of Art, London):
“Two for One? Berenguer de Montagut, Manresa, and Catalan Gothic”

16.00 h Discussion

16.15 h Coffee/Tea

PANEL 5
CROSS-MEDIA FIGURATIONS
(Chair: Prof. Dr Juliane von Fircks)

16.45 h
Prof. Dr Brigitte Kurmann-Schwarz (Universität Zürich)/Prof. Dr Peter Kurmann (Université de Fribourg):
„French Architecture and Stained Glass in Dialogue (1250–1350)“

17.15 h
Prof. Dr Tim Ayers (University of York):
“More or Less? The Chapter House and its Vestibule at York Minster”

17.45 h
Prof. Dr Evelin Wetter (Abegg-Stiftung, Riggisberg/Universität Leipzig):
"Embroidered Image and Surface. On the Reduction of the Background to Colour and Material in the Works of the  Opus anglicanum"

18.15 h Discussion


Saturday, 25.5.2024

PANEL 6
INNOVATION AND INVENTION
(Chair: Dr Sascha Köhl)

9.00 h
Prof. Dr Marc Carel Schurr (Universität Trier):
"Less is more - Strasbourg Cathedral and the 'Avant-garde' of Architecture around 1300"

9.30 h
Prof. Dr Jacqueline Jung (Yale University, New Haven):
"Refinements   of Time in Monumental Narrative Relief Sculpture after 1250"

10.00 h
PD Dr Christian Kayser (Technische Universität, München):
"The Western Tower of Freiburg Minster and the Invention of the Gothic Openwork Spire"

10.30 h Discussion

10.45 h Coffee/Tea

PANEL 7
CITYSCAPES
(Chair: Prof. Dr Markus Späth)

11.15 h
Dr Tobias Kunz (Staatliche Museen zu Berlin):
"Not Only Paris. Foreign Innovations and their Consequences in Cologne Sculpture"

11.45 h
Dr Zoe Opacic (Birkbeck College, University of London):
"Erfordia turrita: 'Reduktionsgotik' and Urban Refinement in Fourteenth-century Erfurt"

12.15 h
Dr Zoltán Bereczki (University of Debrecen):
“Franciscan Monasteries in the Medieval Cityscape. A Case Study of Sopron (HU) and Bratislava (SK)"

12.45 h Discussion

13.00 h Lunch break

PANEL 8
EUROPEAN TRANSFER
(Chair: Prof. Dr Christian Freigang)

14.00 h
Prof. Dr Robert Bork (University of Iowa):
“Reflections on Refinement: Plasticity versus Planarity between France and Germany, 1250–1350”

14.30 h
Prof. Dr Jakub Adamski (University of Warsaw):
“Strasbourg – Wrocław – Cracow. On the Transfer of Modern Architectural Design from the Upper Rhine Valley to Southern Poland  from  c. 1280“

15.00 h
Prof. Dr Yves Gallet (Université Bordeaux Montaigne):
"Refinement versus Reduction? A Showcase of Paradoxical Coexistence in 14th-Century Architecture: Matthias of Arras´s Work in Prague"

15.30 h Discussion

CONCLUSION
(Chair: Prof. Dr Ute Engel)

15.45 h
Prof. Dr Bruno Klein (Technische Universität, Dresden): "Conclusion and Perspectives on Gothic Art, Architecture and Culture c. 1250 to 1350"

16.15 h Coffee/Tea, End of conference


The conference will take place at Martin-Luther-Universität, Halle:
On 23 and 24 May 2024 at Universitätsplatz, Löwengebäude, Aula and Historischer Sessionssaal, Universitätsplatz 11, 06108 Halle (Saale);
on 25 May 2025 at Steintor-Campus, Hörsaal II, Emil-Abderhalden-Straße 28, 06108 Halle (Saale).
Additionally, there will be the chance to listen to the lectures online via web-link.

Registration

Please register for the conference until 12 May 2024, using the email address below.
Please note whether you will take part in presence or online:
sekretariat@kunstgesch.uni-halle.de

The conference is co-sponsered by:
Fritz Thyssen Stiftung
Ministerium für Wissenschaft, Energie, Klimaschutz und Umwelt Sachsen-Anhalt
Saalesparkasse

Contact: ute.engel@kunstgesch.uni-halle.de

American Friends of Chartres Lecture: Designing Chartres Cathedral: A Geometrical Perspective, 14 May 2024, 7:30-9:00PM ET (ONLINE)

Online Lecture

American Friends of Chartres

Designing Chartres Cathedral: A Geometrical Perspective

14 May 2024, 7:30-9:00PM ET

How did medieval builders in Chartres use geometry to design their remarkable cathedral? Taking advantage of laser-scanned survey data and modern design software, Robert Bork sheds new light on this fundamental question, demonstrating both remarkable continuity in the builders’ methods and previously unrecognized revisions to the cathedral’s design in the years around 1200. In this zoom presentation, Bork will share these results in dialog with Ellen Shortell, with time at the end for Q&A with the audience.

To register for the event, click here.

CALL FOR APPLICATIONS: GESTA EDITORSHIP (DUE 31 MAY 2024; BEGINS 1 JANUARY 2025)

CALL FOR APPLICATIONS

EDITORSHIP OF GESTA

Application Review Begins Friday 31 May 2024

 The ICMA solicits applications for the next editor (or co-editors) of the ICMA’s flagship journal,Gesta. The position is an important one: Gesta is the only journal in North America devoted to medieval art history, and it serves a crucial function in our field as well as in medieval studies more generally. It is also one of the primary means by which the ICMA meets its core mission: “to promote and support the study, understanding, and preservation of visual and material cultures produced primarily between ca. 300 CE and ca. 1500 CE in every corner of the medieval world.”

The appointment is for a three-year-term beginning on 1 January 2025; it can be renewed for a second three-year-term term by mutual agreement. Following a model increasingly favored by other professional organizations (and which has been successfully implemented at Gesta since 2013), we will consider the option of appointing two colleagues to serve as co-editors. We are thus asking for single or paired applications.

Scholars in the field who have relevant editorial experience (vetting articles and carrying out extensive developmental editing) are encouraged to apply. Eligible applicants include faculty members at any rank from lecturer to professor, emeriti/ae, people in cognate professions, and independent scholars. However, we advise faculty on a tenure track appointment who have not yet been granted tenure to carefully consider their workload balance before applying to take on this substantial work. The position carries an annual stipend of $6,500 (or $3,250 each in the case of co-editors).

The Editors work with the production team at the University of Chicago Press (Journals Division). Chicago handles the design, printing, and distribution of the journal, and manages subscriptions. They also work directly with an Editorial Board that has a consultative function and the ICMA’s Publications Committee. The Editors will have the help of a professional copy editor appointed by the ICMA, and a part-time Editorial Assistant (typically a graduate student). During December 2024, the incoming editor(s) will receive orientation from the current editors, whose term will be over on 31 December 2024. 

Those interested in applying should submit a CV and a statement of interest and relevant experience, addressed to the address below. The Search Committee will begin reviewing applications on 31 May 2024.

Signed,
Brigitte Buettner
Chair, ICMA Publications Committee

Click HERE to submit application.

CALL FOR PROPOSALS FOR ICMA SPONSORED SESSIONS: INTERNATIONAL MEDIEVAL CONGRESS LEEDS 2025, DUE BY 15 MAY 2024

CALL FOR PROPOSALS

ICMA SPONSORED SESSIONS

INTERNATIONAL MEDIEVAL CONGRESS 2025

LEEDS, UNITED KINGDOM; 7-10 JULY 2025

DUE BY WEDNESDAY 15 MAY 2024

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship in 2025 at the International Medieval Congress (IMC) at Leeds, England.  

While session proposals on any topic related to the art of the Middle Ages are welcome, the IMC also chooses a theme for each conference. In 2025 the theme is “Worlds of Learning.”  For more information on the Leeds 2025 congress and theme, see:  https://www.imc.leeds.ac.uk/imc-2025/

Session organizers and speakers must be ICMA members at the time of the conference. Proposals must include a session abstract, and a list of speakers, as one single Doc or PDF with the organizer’s name in the title, and a CV, again as a Doc or PDF with the organizer’s name in the title.

Upload your proposals HERE by 15 May 2024.

Please direct all inquiries to the Chair of the Programs Committee: Alice I. Sullivan, Tufts University, USA, alice.sullivan@tufts.edu 

The ICMA Programs and Lectures committee will select a session to sponsor and will notify the successful organizer(s) by 7 June 2024. The organizer(s) will then submit the ICMA-sponsored proposal to the IMC. 

CALL FOR PROPOSALS FOR ICMA SPONSORED PANELS: ASSOCIATION FOR ART HISTORY ANNUAL CONFERENCE 2025, UNIVERSITY OF YORK, DUE BY 15 MAY 2024

CALL FOR PROPOSALS

ICMA SPONSORED PANELS

ASSOCIATION FOR ART HISTORY ANNUAL CONFERENCE 2025

University of YORK, UNITED KINGDOM; 9-11 APRIL 2025

DUE By WEDNESDAY 15 MAY 2024

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship at the Association for Art History Annual Conference to be held 9-11 April 2025 at the University of York.  

 Proposals to the ICMA must include a session abstract and a CV of the organizer(s).

Please note the following:  

  • The AAH does not require a slate of speakers; the AAH will generate a CFP once sessions have been selected. Therefore the ICMA will not request a slate of speakers. 

  • The ICMA requires the CVs of the session organizers, but the AAH does not. 

  • Session organizers and speakers must be ICMA members but are not required to become AAH members. However, AAH members receive a preferential conference rate. 

  • Sessions at the AAH conference are built of 70-minute blocks, with a minimum of two blocks per session, up to four blocks in a day. Each block consists of two papers of 25 minutes plus 10 minutes of questions for each paper. The ICMA seeks to sponsor one session of two 70-minute blocks (four papers). 


Upload your proposals HERE by 15 May 2024

Please direct all inquiries to the Chair of the Programs Committee: Alice I. Sullivan, Tufts University, USA, alice.sullivan@tufts.edu 

 
The ICMA Programs and Lectures committee will select a session to sponsor and will notify the successful organizer(s) by 7 June 2024. The organizer(s) will then submit the ICMA-sponsored proposal to the AAH, which will make the final decision. 

CALL FOR SUBMISSIONS: ICMA ANNUAL BOOK PRIZE, SUBMISSIONS DUE 31 MAY 2024

Call for Submissions

2024 ICMA ANNUAL BOOK PRIZE

DEADLINE: 31 MAY 2024

AUTHORS: NOTIFY YOUR PUBLISHER TO SUBMIT YOUR BOOK!

EMAIL BOOKPRIZE@MEDIEVALART.ORG WITH THE TITLE(S), AUTHOR(S), AND PRESS NAME. IF SELF-NOMINATING, PLEASE SEND ALONG YOUR PRESS CONTACT’S EMAIL.

To be eligible for the 2024 prize, the book must have been printed in 2023. 

 The ICMA invites submissions for the annual prize for best single- or co-authored book on any topic in medieval art. To be eligible for the 2024 competition, books must have been printed in 2023. No anthologies, exhibition catalogues, or special issues of journals can be considered. 
The competition is international and open to all ICMA members. To join or renew, click here. A statement of current membership is required with each submission.

Languages of publication: English, French, German, Italian, or Spanish

Prize: US $1,000 to a single author, or US $1,000 split equally between co-authors.

Submission of books: only printed books are eligible for the prize. A statement of current ICMA membership must accompany each submission. 

Presses and self-nominations: books must be sent directly to the jury members. Please email BookPrize@medievalart.org with the title(s), author(s), and press name. If self-nominating, please send along your press contact’s email.

POSTPONED: IDEA ANNUAL LECTURE: MARTINA RUGIADI, SPEAKER - STAGING MEDIEVAL ART: PHOTOGRAPHY, ARCHAEOLOGY, AND LIVING OBJECTS IN AFGHANISTAN

POSTPONED
until Fall 2024

Thank you for your interest in the ICMA Annual IDEA Lecture by Martina Rugiadi. The event is postponed until the Fall of 2024. We will be in touch when we have rescheduled it to a specific date.

ICMA Annual IDEA Lecture
Staging medieval art: Photography, archaeology, and living objects in Afghanistan


Martina Rugiadi
, speaker
Thursday 2 May 2024 at 6pm ET


Since centuries, the town of Ghazni has been the site of devotion, visited by those seeking to be blessed and healed at the tombs of its saints. Yet our scholarly gaze has primarily focused on the city’s short-lived royal past of the 11th-12th centuries, the remains of which were meticulously documented with stunning photographs in the 1950s and 60s. Uncovering these images, this talk aims to reveal broader, more inclusive histories that transcend disciplinary boundaries.

Martina Rugiadi is Associate Curator in the Islamic Art Department at the Metropolitan Museum of Art in New York, where she is preparing an exhibition on medieval Afghan marbles. As an archaeologist, she has worked mostly in Iran, Afghanistan, and Syria, and now co-directs the Towns of the Karakum project in Turkmenistan. Her recent research explores medieval drinking, Islamic-period spolia, agency and visual languages, and the juncture of art history, cultural heritage, and the museum. 

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ICMA IN LA: STUDY DAY FOR "THE BOOK OF MARVELS: WONDER AND FEAR IN THE MIDDLE AGES" AND "ALBRECHT DÜRER: WANDERLUST", MONDAY 10 JUNE 2024

ICMA IN LA

STUDY DAY FOR THE BOOK OF MARVELS: WONDER AND FEAR IN THE MIDDLE AGES AND ALBRECHT DÜRER: WANDERLUST

THE GETTY AND THE HUNTINGTON

MONDAY 10 JUNE 2024, 11AM PT
REGISTER
HERE

ICMA members are invited to a study day taking place at both The Getty and The Huntington on Monday 10 June 2024. Attendees will receive a special preview of The Getty's upcoming exhibition The Book of Marvels: Wonder and Fear in the Middle Ages before it opens to the public. Lunch will be provided at The Getty before the group moves to The Huntington to view the exhibition Albrecht Dürer: Wanderlust.

Attendees are responsible for their own transportation to each venue, but ICMA will help organize a carpool if needed.  

ABOUT THE EXHIBITIONS
The Book of Marvels: Wonder and Fear in the Middle Ages
Told from the perspective of a medieval armchair traveler in fifteenth-century northern France, the Book of the Marvels of the Worldweaves together tales of global locations that are portrayed as bizarre, captivating, and sometimes dangerously different. This exhibition pairs the Getty’s newly-acquired illuminated copy of the text with its twin from the collections of the Morgan Library & Museum in New York. Additional objects in the exhibition highlight how the overlapping sensations of wonder and fear helped create Western stereotypes of the “other” that continue to influence society today.

Albrecht Dürer: Wanderlust
German Renaissance artist Albrecht Dürer's journeys to Italy and the Low Countries were crucial to his education and informed his art. The exhibition showcases Dürer’s art and legacy through prints, books, and paintings drawn from The Huntington’s collections. The presentation focuses on works created during and following his travels, illuminating the cultural network of artists and how they supported, competed with, and learned from each other, ultimately transforming European art.

Register HERE

ICMA AT INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES KALAMAZOO 2024: SPONSORED SESSIONS + RECEPTION

INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES, KALAMAZOO

ICMA SPONSORED SESSIONS

9-11 MAY 2024

Thursday 9 May 2024, 10:00am
Session 9
Sangren Hall, Room 2110
The Sense of an Ending: Finispieces in Medieval Codices
Presider: Stephen Perkinson, Bowdoin College
Organizer: Julie A. Harris, Independent Scholar

Beginning at the End: The Role of the Table of Contents in the Grandes Heures of Philip the Bold
Maggie Crosland, Washington University in St. Louis / St. Louis Art Museum

Final Authority in Five Illuminated Copies of Boccaccio’s Des Nobles et cleres dames Vérard, 1493
Hope Johnston, Baylor University

Respondent: Julie A. Harris


 Saturday 11 May 2024, 10:00am
Session 368     
Sangren Hall, Room 4715
Cross-Cultural Interaction in the Alps: Medieval Artistic Production in the Historic County of Tyrol

Presider: Katherine M. Boivin, Bard College
Organizer: Sarah F. Cohen, Columbia University; Emma Leidy, Columbia University

Actio or Illustration? The Rodenegg Iwein Cycle and the Staging of Oral Storytelling
Grace Alice Walsh, Johns Hopkins University

Between North and South: The Importation, Production, and Veneration of Vesperbilder in Tyrol
Emma Leidy, Columbia University

A Fatimid Crystal Reliquary in Thirteenth-Century Tyrol: Questions of Cross-Cultural Value and Symbolic Reuse
Sarah F. Cohen, Columbia University


Saturday 11 May 2024, 1:30pm
Session 417     
Sangren Hall, Room 4715
Sites of Tension (1): Islands and Isolation
ICMA Student Committee

Presider: Gilbert Jones, Cleveland State University
Organizers: Gabriela Chitwood, University of Oregon; Brittany Forniotis, Duke University; Shannah Rose, Institute of Fine Arts, New York University; Gilbert Jones, Cleveland State University; Nina Gonzalbez, Florida State University Islands

Unknown: Small Islands and Insular Lifeways in the Early Medieval Aegean
Demetrios Athanasoulis, Ephorate of Antiquities of Cyclades, Hellenic Ministry of Culture & Sports; Elizabeth R. Davis, Brown University; Rosie Campbell, Cambridge University; Hallvard Indgjerd, Universitetet i Oslo; Alex R. Knodell, Carleton College; Evan I. Levine, Københavns Universitet; Hüseyin Ç. Öztürk, College Year in Athens

The Colonizer’s Representation of the Colonized: The Construction of Guanche Cultural Identity in Le livre nommé le Canarien
Krystin Cassidy Christy, New York University

“That unhappy wretch will come here to the Iouan island”: Re-Activating the Material Culture of Medieval Iona
Sophie Durbin, University of the Highlands and Islands


Saturday 11 May 2024, 3:30pm
Session 464     
Sangren Hall, Room 4715
Sites of Tension (2): Islands and Interconnectivity
ICMA Student Committee

Presider: Gilbert Jones, Cleveland State University
Organizer: Brittany Forniotis, Duke University; Gabriela Chitwood, University of Oregon; Shannah Rose, Institute of Fine Arts, New York University; Gilbert Jones, Cleveland State University; Nina Gonzalbez, Florida State University

Claiming Victory: The St. George Chapel of Clermont-Ferrand Cathedral and the Use of Crusading in Image and Liturgy
Patricia Marie McCall, University of Oregon

Between Past and Present: Changing Perceptions of the Aegean Region in a Medieval Island Book
Beatrice Abigail Tamara Blümer, Universität Kassel / Kunsthistorisches Institut in Florenz

Between Sicily and Palma de Mallorca: The Journey of the Cammarata Finials
Hila Manor, Hebrew University of Jerusalem



ICMA RECEPTION AT THE INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES, KALAMAZOO

FRIDAY 10 MAY 2024
7PM-9:30PM (6:30PM STUDENT MEET AND GREET)
KALAMAZOO, MICHIGAN

6:30pm - Student Meet and Greet
7:00pm - Reception (open to all)

Join other ICMA members for a special off-site reception near campus (approximately a 10-20 minute walk) on Friday 10 May 2024 from 7pm-9:30pm. Students are invited to join early at 6:30pm to meet other student colleagues. Drinks and light bites provided while supplies last.

University Roadhouse
1332 W. Michigan Ave (MAP)
Kalamazoo, MI 49006

CALL FOR PROPOSALS - INTERNATIONAL CONGRESS ON MEDIEVAL STUDIES KALAMAZOO 2025, DUE WEDNESDAY 15 MAY 2024

Call for Proposals

International Congress on Medieval Studies 2025

Kalamazoo and Online, 8-10 May 2025

Due By Wednesday 15 May 2024

The International Center of Medieval Art (ICMA) seeks proposals for sessions to be held under the organization’s sponsorship at the International Congress on Medieval Studies (ICMS) at Kalamazoo. Session organizers and speakers must be ICMA members.  
 
Proposals to the ICMA must include a session abstract and a CV of the organizer(s). A list of speakers is not required at the time of application. Organizers will have the opportunity to send out a call for papers after the session is selected by the ICMA and has been approved by the Congress Committee in July.
 
Upload your proposals HERE by 15 May 2024
 
Please direct all inquiries to the Chair of the Programs & Lectures Committee: Alice I. Sullivan, Tufts University, USA, alice.sullivan@tufts.edu 
 
The ICMA Programs & Lectures committee will select a session to sponsor and will notify the successful organizer(s) by 31 May 2024. The organizer(s) will then submit the ICMA-sponsored proposal to the ICMS by 1 June 2024. 

ICMA IN LA: EXHIBITION TOUR OF BLOOD: MEDIEVAL/MODERN AT THE GETTY, FRIDAY 17 MAY 2024, 3PM

ICMA in LA

Exhibition tour of Blood: Medieval/Modern at The Getty

Friday 17 May 2024, 3pm
Los Angeles, California

Register HERE

Bloodscape X (detail), 1987, Andres Serrano. Silver dye bleach print. Getty Museum, Gift of Robert and Dolores Cathcart. © Andres Serrano, courtesy of the artist and Galerie Nathalie Obadia, Paris/Brussels

Blood has both fascinated and repelled generations of artists and viewers. Medieval manuscripts testify to a rich visual culture surrounding blood: devotional, medical, genealogical, and as evidence of violence. In examining the meanings of medieval blood, this exhibition extends to intersecting contemporary conversations—artists have used the potent visual connotations of blood to explore issues of feminism, HIV/AIDS, and the science of DNA. Medieval and modern approaches to the representation of blood offer instances of both connection and rupture across time.

Join ICMA members for a special tour of the exhibition Blood: Medieval/Modern on Friday 17 May 2024 at 3pm. Exhibition curator Larisa Grollemond will lead the tour, then attendees are welcome for casual drinks at a nearby location.

Register HERE

ICMA WORKSHOP ON PEDAGOGY: TEACHING MEDIEVAL ART AND “CONTROVERSIAL” IMAGES, WEDNESDAY 29 MAY 2024 - REGISTER TODAY!

WORKSHOP ON PEDAGOGY

TEACHING MEDIEVAL ART AND “CONTROVERSIAL” IMAGES 

WEDNESDAY 29 MAY 2024, 1PM-3PM ET

ONLINE
REGISTER
HERE


The IDEA Committee invites ICMA members to an online workshop on pedagogy on May 29, 1:00 PM–3:00 PM, Eastern Time.
The ICMA accommodates a broad range of approaches to medieval art as well as an array of specializations. While some community members work in environments that are hostile to teaching about inclusion, equity, diversity, and accessibility, others may be concerned about saying something “wrong” if they do engage such issues. Given the challenges of teaching medieval art in an era of social and political upheaval, this workshop seeks to provide a supportive and open setting for probing such questions as:

  • How do we discuss medieval attitudes and negative stereotyping without merely condemning them for failing to achieve our own “enlightened” standards?

  • How do we contextualize medieval bigotry, racializing, and othering without appearing to justify them?

  • How do we establish the importance of studying these images when some students feel they should be dismissed or “cancelled” because they express ugly ideas or create discomfort?

The workshop will provide opportunities for you to share teaching strategies, reflect on the 2023–23 academic year, and brainstorm about the future.

Register HERE

Conference: The new lives of Greek divinities in Western Europe: Textual and visual figurations from the 14th to the 16th century, Bibliothèque de l'Arsenal, Paris, France, 29 May 2024

Conference

The new lives of Greek divinities in Western Europe: Textual and visual figurations from the 14th to the 16th century

Bibliothèque de l'Arsenal, Paris, France

May 29, 2024

The conference "The new lives of Greek divinities in Western Europe: Textual and visual figurations from the 14th to the 16th century" will be held in the Bibliothèque de l'Arsenal, Paris.

It is organised by the ERC project AGRELITA, The Reception of Ancient Greece in Premodern French Literature and Illustrations of Manuscripts and Printed Books (1320-1550), directed by Prof. Catherine Gaullier-Bougassas, University of Caen Normandy -Craham.

For more information, visit https://agrelita.hypotheses.org/ and
https://agrelita.hypotheses.org/5103

For a copy of the progam, click here.

Conference: The new lives of Greek divinities in Western Europe: Textual and visual figurations, University of Caen Normandy, France, 23-24 May 2024

Conference

The new lives of Greek divinities in Western Europe: Textual and visual figurations

from the 14th to the 16th century

University of Caen Normandy, France

23-24 May 2024

The conference "The new lives of Greek divinities in Western Europe: Textual and visual figurations from the 14th to the 16th century" will be held in the University of Caen Normandy.
It is organised by the ERC project AGRELITA, The Reception of Ancient Greece in Premodern French Literature and Illustrations of Manuscripts and Printed Books (1320-1550), directed by Prof. Catherine Gaullier-Bougassas
For more information, visit https://agrelita.hypotheses.org/ and
https://agrelita.hypotheses.org/category/evenements/colloques

For the program, click here.

Call for Applications: Three Postdoctoral Fellowships ERC AGRELITA, University of Caen Normandy, France, Due By 12 May 2024

Call for Applications

Three Postdoctoral Fellowships ERC AGRELITA

“The reception of ancient Greece in pre-modern French literature and illustrations of manuscripts and printed books (1320-1550): how invented memories shaped the identity of European communities”

University of Caen Normandy, France

Due by May 12, 2024

The ERC Advanced grant project AGRELITA “The reception of ancient Greece in pre-modern French literature and illustrations of manuscripts and printed books (1320-1550): how invented memories shaped the identity of European communities”, newly awarded (2021), led by Prof. Catherine Gaullier-Bougassas, is now accepting applications for 3 postdoctoral positions (100 %), starting on 01/10/2024.

AGRELITA is based at the University of Caen Normandy and is scheduled to conclude on 30th September 2027.

Contract duration: 12 months, renewable. (See file attached).

For more information, visit: https://agrelita.hypotheses.org/ and
https://agrelita.hypotheses.org/category/actualites

Contact: catherine.gaullier-bougassas@unicaen.fr
Application file to be sent in digital format (pdf) by 12 May 2024 at the latest to the following address catherine.gaullier-bougassas@unicaen.fr

Call for Papers for International Workshop: Saints and martyrs between Italy and the Mediterranean in Late Antiquity, Ludwig-Maximilians-Universität Munich (22-23 Nov. 2024), Due by 24 May 2024

Call for Papers: International Workshop

Saints and martyrs between Italy and the Mediterranean in Late Antiquity: Movements, connections, and influences

Ludwig-Maximilians-Universität Munich, 22-23 November 2024

Due by 24 MAy 2024

In a world such as the Late Antique one, which was experiencing profound changes compared to the previous period, areas once held together by imperial political cohesion, found themselves related by a new connection produced by the expansion of Christianity: the movement and exchange of the cult of saints.

The exchange and spread of the cults of saints and martyrs is testified by archaeological, iconographic, literary and other sources. Among the literary sources, this is illustrated, for example, by the presence of non-local cults in the liturgical calendars of certain geographical areas. A further example is provided by the accounts of late antique pilgrims and authors compiling hagiographies of martyrs, whose cult arrived through the transport of relics. Further evidence of mutual connections and influences is also attested by the construction of basilicas dedicated to 'imported' saints, with the consequent worship of these non-local patrons.

Within this context, Italy seems having an important role, not only in the 'exportation' of its own saints, but also in the reception and assimilation of foreign saints. In addition to the traditional worship, these are also assimilated into local cults. Therefore, this entails, for example, the change of the urban space itself, with the foundation of dedicated basilicas or the assimilation of foreign saints into local hagiographic literature.

Consequently, Italy may be considered as an important area of origin and spread of the cult of saints in the Mediterranean. Moreover, it may be considered as an attracting place for a large foreign cult, making it an excellent example of the movement of the cults of saints and martyrs within the whole late antique geographical area.

The aim of the workshop is to investigate and deepen the dynamics and the questions involved in the circulation of the cults of saints and martyrs from Italy to other areas of the Mediterranean and vice versa. Additionally, the objective is to analyse which exchanges and mutual influences.

these movements entailed and in which sources they can be found. In conclusion, the interest is directed towards the reasons why certain non-local cults became important in specific geographical areas and, in addition to the martyrs, if the cults of sanctified bishops or rather confessors around whom a cult developed and spread to areas far from their origins were also spread and assimilated.

We will accept proposals for papers, from a multidisciplinary perspective: scholars of archaeology, art history, iconography, architecture, epigraphy, hagiography, late antique, early Christian literature and ancient history. Additionally, all related disciplines are welcome to submit a paper.

The following topics are suggested, but any other topic is accepted:

  • The spread of the cult of saints and martyrs between Italy and other areas of the
    Mediterranean through epigraphic, hagiographic, iconographic sources

  • The transport of relics: archaeological and historiographical evidence

  • The construction of basilicas or monasteries dedicated to 'imported' saints

  • The role of bishops in the spread of the cults of saints and martyrs

  • The spread of cults dedicated not only to martyrs, but rather to bishops or confessors

You are invited to submit an abstract (maximum 300 words) accompanied by a short CV by 24 Mai. All submissions should include your name, e-mail address and academic affiliation if applicable). Participants are expected to give a 20-30-minute talk, followed by an extended session for discussion. The workshop will take place in person in English at the Ludwig-Maximilians-Universität Munich on 22-23 November 2024. A publication is planned, for which the contributions may be in English, German or Italian. A contribution will also be made towards travel expenses.

The workshop is organised by the Institut fir Bysantinistik, Bysantinische Kunstgeschichte und Neogräzistik, Ludwig-Maximilians-Universität Minchen, with the kind support of the Spätantike Archäologie und Byzantinische Kunstgeschichte e.V.

If you have any questions, please do not hesitate to contact:

Daniela Coppola, M.A.

Ludwig-Maximilian-Universität, Munich

info.saintsandmartyrsworkshop@gmail.com

Upcoming Exhibition: The Book of Marvels: Wonder and Fear in the Middle Ages, Getty Center, Los Angeles, CA, 11 June - 25 August 2024

Upcoming Exhibition

The Book of Marvels: Wonder and Fear in the Middle Ages

Getty Center, Los Angeles, CA

June 11–August 25, 2024

This exhibition explores the text and images of the Book of the Marvels of the World, a manuscript made in the 1460s that weaves together tales of places both near and far. Told from the perspective of a medieval armchair traveler in northern France, the global locations are portrayed as bizarre, captivating, and sometimes dangerously different. Additional objects in the exhibition highlight how the overlapping sensations of wonder and fear helped create Western stereotypes of the “other” that still endure today.

For more information and other medieval exhibitions later this year, https://www.getty.edu/visit/exhibitions/future.html

For the upcoming volume to accompany the exhibition: https://shop.getty.edu/products/the-book-of-marvels-a-medieval-guide-to-the-globe-978-1606069035

Exhibition Closing: Blood: Medieval/Modern, GETTY CENTER, Los Angeles, CA, Ends 19 May 2024

Exhibition closing

Blood: Medieval/Modern

GETTY CENTER, Los Angeles, CA

February 27–May 19, 2024

The Side Wound of Christ from Illustrated Vita Christi, with devotional supplements, about 1480–1490, England. Tempera colors and gold leaf on parchment. Getty Museum, Ms. 101 (2008.3.105v), fol. 105v

Blood has both fascinated and repelled generations of artists and viewers. Medieval manuscripts testify to a rich visual culture surrounding blood: devotional, medical, genealogical, and as evidence of violence. In examining the meanings of medieval blood, this exhibition extends to intersecting contemporary conversations—artists have used the potent visual connotations of blood to explore issues of feminism, HIV/AIDS, and the science of DNA. Medieval and modern approaches to the representation of blood offer instances of both connection and rupture across time.

This exhibition is presented in English and Spanish. Esta exhibición se presenta en inglés y en español.

For more information, https://www.getty.edu/art/exhibitions/blood/

Exhibition Closing: Rich in Blessings: Women, Wealth, and the Late Antique Household, Dumbarton Oaks, Washington D.C., Ends 9 June 2024

Exhibition Closing

Rich in Blessings: Women, Wealth, and the Late Antique Household

Dumbarton Oaks Research Library and Collection, Washington D.C.

November 17, 2023–June 9, 2024

Photography by Anice Hoachlander

Reasserting women’s agency and probing those female lives often written out of historical texts.

At home and in public, luxury art broadcast late antique elites’ status in a society characterized by deep economic inequalities. Whereas household artifacts like textiles, plate, ivory, and jewelry undeniably served to embellish bodies and interiors, from another perspective such works might be seen as exclusive symbols of individual and family affluence. In their imagery and materials, artworks associated with dress and decor conveyed charged messages about late antique attitudes toward prosperity, ownership, and display, particularly as concerned women’s property and the legacies of intergenerational wealth. Paradoxically, the opulence admired in late antique artworks stood in contrast to the period’s emerging Christian and Jewish ideals urging the renunciation and sharing of riches, rhetoric foundational to how communities understood individuals’ philanthropic obligations to society. Rich in Blessings: Women, Wealth, and the Late Antique Household thus explores the multilayered associations of art, wealth, and inequality in late antiquity, prompting consideration of the enduring meaningfulness of these themes in our own world and in museum collections today.

For more information, https://www.doaks.org/visit/museum/exhibitions/rich-in-blessings