Beyond Transfer and Revival: Narrative Creativity in Medieval Italian Mural Decoration (11th–13th c.); College Art Association Annual Conference; Zoom, 3 March; 9:30–10:30am CST

Beyond Transfer and Revival: Narrative Creativity in Medieval Italian Mural Decoration (11th–13th c.)

3 March; 9:30–10:30am CST, Zoom

The 110th College Art Association Annual Conference

More information and registration: https://caa.confex.com/caa/2022/meetingapp.cgi/Home/0

Organizer and Chair: Armin Bergmeier, University of Leipzig

Organizer and Discussant: Alison Locke Perchuk, California State University: Channel Islands

The period 1000–1250 saw vibrant artistic and intellectual creativity in medieval Italian wall paintings and mosaics. Large-format narrative sequences were deployed in new ways to elevate viewers spiritually, perform exegesis, shape communal identity, teach history and theology, and display power. Authors and artists offered sophisticated theorizations of the aesthetic, affective, and communicative capacities of images. While some sequences drew on existing models, notably the paintings and mosaics that accrued to Old St. Peter’s, many more were ad hoc creations, mixing old and new motifs, styles, and artistic strategies to generate distinctive compositions intended for specific spaces, sites, and purposes. The historical and conceptual weight of Rome (then as now) and the natural coherence of pictorial recensions versus the heterogeneity of unaffiliated narrative sequences has resulted in a historiographical privileging of passive transfers and revivals over discrete acts of artistic and patronal creative agency. This panel seeks to reset that balance.

Narrative creativity played out in the development of new iconographies, narrative structures, and framing systems, and in the reimagining and repurposing of old ones. New pictorial strategies were generated for new architectural forms and spatio-liturgical arrangements; Byzantine decorative practices were integrated with Latin architecture and vice versa. Collective analyses generally cluster by iconography, region, or artisans; we seek instead to bring together papers underscoring how creativity manifested itself in discrete monuments, whether well-known, like Santa Maria in Cosmedin or Sant’Angelo in Formis, or deserving of greater fame, like San Tommaso ad Acquanegra sul Chiese or San Calocero in Civate.