Online EAST OF BYZANTIUM Lecture: Daughter, Healer, Soldier, Spy: Finding Communities in the Medieval Middle Eastern Countryside, Reyhan Durmaz, 17 Oct. 2023 12:00 PM EDT, Zoom

Mary Jaharis Center for Byzantine Art and Culture and the Mashtots Professor of Armenian Studies at Harvard University

Daughter, Healer, Soldier, Spy: Finding Communities in the Medieval Middle Eastern Countryside

Reyhan Durmaz, University of Pennsylvania

Tuesday, October 17, 2023 | 12:00 PM EDT | Zoom

The Mary Jaharis Center for Byzantine Art and Culture and the Mashtots Professor of Armenian Studies at Harvard University are pleased to announce the first lecture in the 2023–2024 East of Byzantium lecture series.

The medieval Middle Eastern countryside was a dynamic space populated by groups uniting around powerful patrons, distinct religious practices, and a variety of languages. These groups, contrary to our expectations of a “community”, were often destabilized, negotiated, dismantled, and reconfigured. As a way to capture this dynamism, in light of literature and epigraphy, this talk explores a group of demographic categories that are often sidelined in our conventional taxonomies of the medieval Middle Eastern society – such as rulers and subjects, clergy and lay people, elite and non-elite.

Reyhan Durmaz is an assistant professor of religious studies at the University of Pennsylvania. Her research focuses on the history of religion, especially Christianity, in the late antique and medieval Middle East.

Advance registration required. Register: https://eastofbyzantium.org/upcoming-events/

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

An East of Byzantium lecture. EAST OF BYZANTIUM is a partnership between the Mashtots Professor of Armenian Studies at Harvard University and the Mary Jaharis Center that explores the cultures of the eastern frontier of the Byzantine empire in the late antique and medieval periods.

ONLINE EVENT! MEDIEVAL MATTERS: DIGITAL TECHNOLOGIES FOR ACCESS AND DISCOVERABILITY, 20 OCTOBER 2023, REGISTER TODAY!

Medieval Matters: Digital Technologies for Access and Discoverability

Friday 20 October 2023
12pm ET
Online via Zoom

Register HERE

In conjunction with the exhibition Illuminating the Medieval and the Modern through Cultural Heritage Imaging: A Brief History of Innovation and Collaboration at Rochester Institute of Technology, this event offers examples and use cases of low barrier-to-entry technology to facilitate access and discoverability for research, exhibition development, and visitor engagement. Join facilitator Tory Schendel-Vyvoda, Visiting Professor of Art History and Museum Studies at Harlaxton College, and Juilee Decker, Professor of Museum Studies, as they discuss innovative practices developed at RIT, working in collaboration with humanities scholars and museum practitioners, that can foster new knowledge about cultural heritage collections, including medieval manuscripts.

Particular attention will be drawn to the involvement of undergraduate students in the museum studies program at RIT who have been working on the development of a low-cost, multispectral imaging system. After a brief demo of the system, attendees will learn how they can access this technology for use on their own collections. In the second part of the session, attention will turn to the use of technology for digital access such as 3D capture to develop interactive, digital exhibitions using freely-available tools. Attention will turn, in the final third of the session, to the audience for a conversation and brainstorming about what digital methods ICMA members are using to advance access to collections and to provide opportunities for greater discoverability. These use cases will illuminate how digital technologies can enhance our understanding of cultural heritage collections and help make the case that medieval matters.

Registration Required: https://www.eventbrite.com/e/medieval-matters-digital-technologies-for-access-and-discoverability-tickets-717253924797

Juilee Decker, Ph.D. is professor of history at Rochester Institute of Technology where she directs the Museum Studies/Public History program. She earned her Ph.D. from the joint program in art history and museum studies at Case Western Reserve University/Cleveland Museum of Art. She serves as editor of the peer-reviewed journal, Collections (SAGE).

Tory Schendel-Vyvoda is a Visiting Professor of Art and History and Museum Studies at Harlaxton College as well as the curator of the Evansville African American Museum and director of the Lamasco Microgallery. She is pursuing her PhD at the Institute of Doctoral Studies in Visual Art.
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Sponsored by the ICMA, the Museum Studies Program at the Rochester Institute of Technology, and the Chester F. Carlson Center for Imaging Science at the Rochester Institute of Technology 

More information about the exhibition, on view in Rochester, NY until 28 October 2023: https://www.rit.edu/universitygallery/exhibitions/current-exhibitions

Illuminating the Medieval and the Modern through Cultural Heritage Imaging: A Brief History of Innovation and Collaboration is the recipient of the 2022 ICMA-Kress Exhibition Development Grant. 

Early European Puppetry Studies Conference, Yale University, 13-14 October 2023

Early European Puppetry Studies Conference

13-14 October 2023

Yale University, New Haven, CT

Join us at Yale University on October 13-14 for an interdisciplinary conference to launch the field of Early European Puppetry Studies. Scholars from across North America and Europe will explore a wide range of performing objects to locate fruitful avenues for using puppetry as a framework to analyze art, literature, culture, and performance traditions in late medieval and early modern Europe. Sessions include puppetry's intersection with children, dolls, transgression, death and violence, bodies and materiality, articulated Christ sculptures, records and reconstructions, and cover various regions including England, Spain, the Mediterranean, and more.

For more information and the full schedule, see: earlyeuropeanpuppetrystudies.com/conference

For a copy of the event flyer, click here.

Call For Papers: The Medieval in Museums, IMC Leeds 2024 Session, Due 18 September 2023

Call for Papers for IMC Leeds 2024 Session

The Medieval In Museums

Due 18 September 2023

Proposals are invited for 15-minute papers examining presentations of the medieval in museum and heritage contexts. We invite interrogation of the social, political, historical, and cultural effects of museum and heritage work, including: 

  • practices of acquisition, curation, display, and interpretation

  • archives, record-keeping, and databases

  • education and community projects

  • digital presences

  • outreach or knowledge exchange activities run by field archaeologists or academics

  • performances or reenactments

  • artworks or events commissioned as part of museum or heritage programming

Catherine Karkov (2020), Alexandra Sterling-Hellenbrand (2021), and Karen Jolly (2022) have argued that museums reflect and construct national and local identities, which, intentionally or unintentionally, may prop up myths of ethnogenesis or ethnonationalism. Joshua Davies (2018), Clare Lees and Gillian Overing (2019), and Beth Whalley (2023) have directed attention to the workings of creative medieval heritage broadly conceived. We invite a similarly expansive approach to the medieval and to museums.

We encourage reflection on the stakes of representing the medieval at a time of increased public awareness of how museums and heritage are entangled with histories of European imperialism, calls for decolonisation, and matters of social justice. 

We also encourage attention to written medieval sources (histories, poems, or other texts): how manuscripts are displayed or interpreted in conjunction with other visual or material culture, places, or landscapes.

To apply: please send an abstract of no more than 150 words explaining your approach to the medieval and museums and/or heritage to Fran Allfrey and Maia Blumberg, fran.allfrey@york.ac.uk and m.blumberg@qmul.ac.uk .

Deadline: 18 September 2023. The session organisers will submit the complete session by 29 September 2023. 

Please include the following: 

  • details of your academic affiliation (if appropriate), email, and postal address. 

  • a short abstract for the paper of no more than 150 words, in the language in which you want to present your paper. 

Mary Jaharis Center for Byzantine Art and Culture: A Song of Theology and Emotion: Romanos the Melodist’s Hymn on Pentecost, Andrew Mellas, 6 October 2023 12:00-1:30 PM EDT, Zoom

Mary Jaharis Center for Byzantine Art and Culture


A Song of Theology and Emotion: Romanos the Melodist’s Hymn on Pentecost

Andrew Mellas, University of Sydney

6 October 2023, 12:00-1:30 PM EDT, Zoom

Romanos the Melodist and the Theotokos, Menologion of Basil II. Biblioteca Apostolica Vaticana, MS Vat. gr. 1613

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the second lecture in our 2023–2024 lecture series: A Song of Theology and Emotion: Romanos the Melodist’s Hymn on Pentecost, with Andrew Mellas, St Andrew's Theological College and University of Sydney, Friday, October 6, 2023, at 12:00 PM EDT on Zoom.

While Romanos the Melodist composed hymns rather than theological treatises, the theology of his poetry echoed the festal orations of the fourth-century Cappadocian, Gregory the Theologian. Articulating the mystery of the Trinity through the performance of his hymn for the feast of Pentecost, Romanos wove together sacred song and theology, retelling the scriptural stories that defined the Byzantines, and shaping an emotional and liturgical community in Constantinople. Poetry and music showed forth the hidden fears and desires of scriptural characters amidst the overarching narrative of Pentecost, inviting the faithful to become part of the biblical narrative unfolding before them and experience the mystery of the Trinity. This paper will explore how Romanos the Melodist reimagined the events narrated in the second chapter of the Acts of the Apostles, amplifying the biblical story, echoing the theology of Gregory’s oration on Pentecost and providing an affective script for his audience.

Andrew Mellas is a Senior Lecturer at St Andrew's Theological College and an Honorary Associate at the University of Sydney's Medieval and Early Modern Centre.

Advance registration required at https://maryjahariscenter.org/events/a-song-of-theology-and-emotion

Mary Jaharis Center for Byzantine Art and Culture: Byzantium as an Indian Ocean Society, Rebecca Darley, 28 September 2023 12:00-1:30PM EDT, Zoom

Mary Jaharis Center for ByZantine ARt and Culture

Byzantium as an Indian Ocean Society

Rebecca Darley, University of Leeds

Thursday, 28 September 2023, 12:00 PM EDT Zoom

Obverse and reverse of an imitation Byzantine coin, c. 7th century, made in India, double-pierced and with a quarter removed, Weepangandla hoard. State Archaeological Museum, Hyderabad (Telangana)

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the first lecture in our 2023–2024 lecture series: Byzantium as an Indian Ocean Society, with Rebecca Darley, University of Leeds, Thursday, September 28, 2023, at 12:00 PM EDT on Zoom.

Much of the current move towards global history is focussed on connections. Viewed from this perspective, there is no very good reason for seeing Byzantium in the first millennium CE as an Indian Ocean society. Its direct contact with the Indian Ocean was attenuated in comparison with earlier Roman contact and increasingly mediated by others, most notably from the seventh century onwards, citizens of the Umayyad then Abbasid Caliphates. There are other ways to think about both Byzantium and global history, though. This paper examines Byzantium not as a player in an Indian Ocean defined by mercantile networks, but as one of many societies around the Indian Ocean littoral, shaped by common forces. Between the fourth and the ninth centuries, understanding Byzantium as an Indian Ocean society, in direct comparison with complex states from the Horn of Africa to peninsular South Asia provides a new insight into the development of governmental structures, state religion and economic practices that all affected the lives of millions of people in profound and sometimes unpredictable ways.

Rebecca Darley is a scholar of the Eastern Mediterranean and the Western Indian Ocean in the first millennium. She is currently employed as Associate Professor of Global History, 500-1500 CE at the University of Leeds.

Advance registration required at https://maryjahariscenter.org/events/byzantium-as-an-indian-ocean-society

ICMA VIEWPOINTS OFFICIAL BOOK LAUNCH - IS BYZANTINE STUDIES A COLONIALIST DISCIPLINE? 15 SEPTEMBER 2023 12PM ET - REGISTER NOW!

ICMA VIEWPOINTS BOOK LAUNCH

IS BYZANTINE STUDIES A COLONIALIST DISCIPLINE? TOWARD A CRITICAL HISTORIOGRAPHY

EDITED BY BENJAMIN ANDERSON AND MIRELA IVANOVA


FRIDAY 15 SEPTEMBER 2023
12PM ET, ONLINE

REGISTER
HERE

We are delighted to invite you to a virtual event celebrating the publication of the second volume of the ICMA Viewpoints book series, sponsored by the International Center of Medieval Art and Penn State University Press! Please join us!


WITH
BENJAMIN ANDERSON • MIRELA IVANOVA • ROLAND BETANCOURT • ELEANOR GOODMAN • NICHOLAS S. M. MATHEOU • ELIZABETH DOSPĚL WILLIAMS • ALEXANDRA VUKOVICH  


Is Byzantine Studies a colonialist discipline? Rather than provide a definitive answer to this question, this book defines the parameters of the debate and proposes ways of thinking about what it would mean to engage seriously with the field’s political and intellectual genealogies, hierarchies, and forms of exclusion.

In this volume, scholars of art, history, and literature address the entanglements, past and present, among the academic discipline of Byzantine Studies and the practice and legacies of European colonialism. Starting with the premise that Byzantium and the field of Byzantine studies are simultaneously colonial and colonized, the chapters address topics ranging from the material basis of philological scholarship and its uses in modern politics to the colonial plunder of art and its consequences for curatorial practice in the present. The book concludes with a bibliography that serves as a foundation for a coherent and systematic critical historiography. Bringing together insights from scholars working in different disciplines, regions, and institutions, Is Byzantine Studies a Colonialist Discipline? urges practitioners to reckon with the discipline’s colonialist, imperialist, and white supremacist history.

In addition to the editors, the contributors to this volume include Andrea Myers Achi, Nathanael Aschenbrenner, Bahattin Bayram, Averil Cameron, Stephanie R. Caruso, Şebnem Dönbekci, Hugh G. Jeffery, Anthony Kaldellis, Matthew Kinloch, Nicholas S. M. Matheou, Maria Mavroudi, Zeynep Olgun, Arietta Papaconstantinou, Jake Ransohoff, Alexandra Vukovich, Elizabeth Dospěl Williams, and Arielle Winnik.



Call for Applications: Fellowship at the Center for Advanced Study in the Visual Arts, Various Fellowships Due Either 21 September 2023, 15 October 2023, or 15 November 2023

Call for Applications

Fellowship at the Center for Advanced Study in the Visual Arts

Various Fellowships Due Either 21 September 2023, 15 October 2023, or 15 November 2023

The Center for Advanced Study in the Visual Arts (CASVA) at the National Gallery of Art is a research institute that fosters the study of the production, use, and cultural meaning of art, artifacts, architecture, and urbanism, from prehistoric times to the present. The resident community of scholars includes the Kress-Beinecke Professor, the Andrew W. Mellon Professor, the Edmond J. Safra Visiting Professor, and the A.W. Mellon Lecturer in the Fine Arts as well as approximately 18 fellows at any one time, including pre- and postdoctoral fellows, senior and visiting senior fellows, and research associates.

The Center is now welcoming applications for the following fellowships:

Visiting Senior Fellowships
Award period: One two-month period between March 1 and August 15, 2024
Applications due September 21, 2023

Senior Fellowships
Award period: Academic year 2024–2025, or a single semester therein
Applications due October 15, 2023

A.W. Mellon Postdoctoral Fellowship
Award period: September 2024–August 2026
Applications due October 15, 2023

Center/YCBA Postdoctoral Fellowship Program
Award period: September 2024–August 2026
Applications due October 15, 2023

Predoctoral Dissertation Fellowships
Award period: One to three years beginning September 2024
Applications due November 15, 2023

Fellows have access to the notable resources represented by the art collections, the library, and the image collections of the National Gallery of Art, as well as other specialized research libraries and collections in the Washington, DC, area.

For more information, please visit the Center’s website or email us at thecenter@nga.gov.

Call for Papers: Queer(ing) Medieval Art, 2 Sessions at ICMS Kalamazoo 2024, Due By 15 September 2023

Call for Papers

Queer(ing) Medieval Art

2 Sessions at ICMS Kalamazoo 2024

Due by 15 September 2023

This session seeks papers that bring queer methodologies to the study of medieval visual culture. Case studies from across the medieval globe are welcome as are a broad range of approaches. Among the questions for consideration are the following: Under what circumstances does queerness become apprehensible within the visual field? What contextual factors allow it to be sensed, consciously or unconsciously? And once queerness is found to reside within the medieval artwork, does it then have some kind of agency? Instead of addressing accusations of anachronism, the papers in this session look to the past for new directions in queer scholarship. These contributions not only disrupt prevailing assumptions about the Middle Ages, but also highlight what medieval visual and material culture can teach us about more fluid or expansive perspectives on gender, sexuality, masculinity, and femininity.

Proposals for papers are due by September 15, 2023 and must be submitted through the Kalamazoo website. Go to https://icms.confex.com/icms/2024/cfp.cgi and scroll to the bottom of the page to choose “Sponsored and Special Sessions of Papers.”

Questions can be directed to Gerry Guest (geraldbguest@gmail.com). General information about the Kalamazoo conference can be found at https://wmich.edu/medievalcongress.

Job Posting! Associate/Full Professor, Medieval Studies, Yale University, Due 10 October 2023

Call for Applications

Associate/Full Professor, Medieval Studies

Yale University

Due By 10 October 2023, Due to Start 1 July 2024

Yale's Department of Italian Studies is seeking a senior colleague at the full or associate professor level with a strong research and teaching record in medieval studies, as well as administrative experience at the departmental and/or university level. The appointment will begin on July 1, 2024.

While continued focus on the inaugural figures of Italian culture such as Dante, Petrarca, Boccaccio, Giotto, Catherine of Siena, etc. is central to the department, our curriculum is equally engaged with critical and theoretical issues that have shaped Italian culture and history broadly conceived. The successful applicant will be expected to teach courses on some of these core figures while expanding the traditional canon of medieval studies. Insofar as transnationalism has become increasingly important for Italian Studies, we encourage applications from colleagues committed to working with other programs and departments at Yale and to thinking about Italy’s role in larger, comparative frameworks relevant for the understanding of art, religion, politics, ethnicity, and society. We thus welcome scholars working in areas such as narrative and poetry, philosophical and critical theory, art history, history, gender and sexuality studies, race and migration studies, religious studies, and translation.

Candidates must have met the requirements for a Ph.D. or its international equivalent at time of hire.
Curriculum vitae and cover letter need to be submitted by October 10, 2023 to ensure consideration.

Please contact Jane Tylus, Chair of Italian Studies (jane.tylus@yale.edu) with any questions.
Application submission portal URL: http://apply.interfolio.com/129066.

Yale University is an Affirmative Action/Equal Opportunity employer. Yale values diversity among its students, staff, and faculty and strongly welcomes applications from women, persons with disabilities, protected veterans, and underrepresented minorities.

Byzantine Tradition in Africa: Art and Culture in Northern and Eastern Africa, Andrea Achi, The Met Fifth Avenue, 19 September 2023 6-7 PM

Byzantine Tradition in Africa: Art and Culture in Northern and Eastern Africa

Andrea Achi

Mary and Michael Jaharis Associate Curator of Byzantine Art, Department of Medieval Art, The Met

The Met Fifth Avenue, Bonnie J. Sacerdote Lecture Hall, Ruth and Harold D. Uris Center for Education

Tuesday, September 19, 2023, 6–7 pm

To register, click here.

Join a Met expert to learn about the profound artistic contributions of North Africa, Egypt, Nubia, Ethiopia, and other powerful African kingdoms whose pivotal interactions with Byzantium had a lasting impact on the Mediterranean world. Highlighting artworks rarely or never before seen in public, the talk sheds new light on the staggering artistic achievements of medieval Africa. Hear an overview of Byzantine art in Africa and take a deeper look at fifth-century Nubian (Sudanese) chests that shift perceptions about Byzantine art production and sources.

Presented in conjunction with the exhibition Africa and Byzantium.

Free, though advance registration is required. Please note: Space is limited; first come, first served.

Use the street-level Ruth and Harold D. Uris Center for Education entrance at Fifth Avenue and 81st Street.

For more information about the event., click here.

International Conference: Visualizing Drugs & Dyes Art and Pharmacology in (Early) Medieval Worlds (600–1400), University of Basel, The Pharmacy Museum, & Online, 4-6 September 2023

International Conference

Visualizing Drugs & Dyes Art and Pharmacology in (Early) Medieval Worlds (600–1400)

University of Basel: Forum eikones (Rheinsprung 11), the Pharmacy Museum (Totengässlein 3), and Online

4-6 September 2023

Plants have long shaped the material practice and imagination of pharmacy. Far more than animals or minerals, plants and their products were central to medicine in premodern epistemologies. Over centuries, images and imaginings of vegetal materia medica played a profound role in human conceptions of and interactions with the natural world. In many ways, they continue to do so. Conversely, the therapeutic efficacy of plants and their products impacted broader visual and material cultures and practices. Thus, premodern pharmacological techniques interacted with the practices of image-making, artistic processes, and art.
The international conference wants to foster a dialog between conservators, art historians, medical historians, philologists, anthropologist and literary studies.

To participate online, sign up here.

For more information, including the poster and the program, visit
https://eikones.philhist.unibas.ch/de/aktuelles/veranstaltungen/event-details/visualizing-drugs-dyes-art-and-pharmacology-in-early-medieval-worlds-600-1400/

Call for Applications: The National Humanities Center 2023–24 Fellows, Due 5 October 2023

Call for Applications

The National Humanities Center 2023–24 Fellows

Due 5 October 2023

The National Humanities Center (NHC) is pleased to announce the appointment of 34 Fellows for the academic year 2023–24. These leading scholars will come to the Center from universities and colleges in 16 US states as well as Canada, Nigeria, Singapore, South Africa, Taiwan, and the United Kingdom. Chosen from 541 applicants, they represent humanistic scholarship in African American studies; anthropology; archaeology; Asian American studies; East Asian studies; ethnomusicology; gender and sexuality studies; history; history of art and architecture; information studies; languages and literature; media studies; medieval studies; music history and musicology; philosophy; psychology; religious studies; and Slavic studies. Each Fellow will work on an individual research project and will have the opportunity to share ideas in seminars, lectures, and conferences at the Center.

These newly appointed Fellows will constitute the forty-sixth class of resident scholars to be admitted since the Center opened in 1978. “We are extremely pleased to be able to support the exciting work of these scholars,” said Robert D. Newman, president and director of the National Humanities Center. “They were selected from a truly exceptional field of applicants spanning the wide range of humanities disciplines. We look forward to their arrival in the fall as they pursue their individual projects and form a robust intellectual community.”

The National Humanities Center will award over $1,550,000 in fellowship grants to enable the selected scholars to take leave from their normal academic duties and pursue research at the Center. This funding is provided from the Center’s endowment and by grants and awards from the Burroughs Wellcome Fund, the Geiss Hsu Foundation, the Henry Luce Foundation, the UNCF/Mellon Programs, and the National Endowment for the Humanities, as well as contributions from alumni and friends of the Center.

The Center will begin accepting applications for the 2024–25 academic year on July 1, 2023 with a deadline of October 5, 2023. Details about NHC fellowships, including application instructions, are available here.

For more information, including the projects of previous winners, visit https://nationalhumanitiescenter.org/national-humanities-center-announces-2023-24-fellows/.

Christopher de Hamel Public Lecture By Centre for the Book, City Library, Dunedin, New Zealand, 16 August 2023, 5:30-7:30 PM

Christopher de Hamel Public Lecture

By Centre for the Book

Wednesday, August 16, 5:30pm-7:30PM
Dunningham Suite, 4th Floor, City Library, Dunedin, New Zealand

FREE

Our friends at Centre for the Book have invited Dr. Christopher de Hamel to present a public lecture entitled, “Medieval Manuscripts in Dunedin in the 1960s” at the Dunningham Suite on Wednesday, August 16th at 5:30-7:30 pm. The event is free and all are welcome.

Dr. de Hamel is an Otago graduate and recipient of a DLitt from the University in recognition of his expertise on medieval manuscripts. He is a Fellow of Corpus Christi College, Cambridge, and former Fellow Librarian of the Parker Library.

More information is available here.

Call for Proposals: Social Sculpture in the Middle Ages, Special issue of Different Visions, Due By 1 October 2023

Call for Proposals

Social Sculpture in the Middle Ages

Special issue of Different Visions

Abstracts Due By October 1, 2023

1: Donatello, articulated crucix under restoration, ca. 1415, Basilica of Santa Croce, 2: Joseph Beuys, MANRESA performance, 1966, Photograph by Ute Klophaus, 3: Festival of Santiago, Lampa, Peru, 2014.

This special issue of Different Visions seeks to address the methodological unity between sensory experience, reader response, and performance studies through the paradigm of “social sculpture.” Since Joseph Beuys introduced the term “social sculpture” in the late 1960s, contemporary art historians have investigated the potentialities of bodies-as-sculpture to shape social communities and identity through performance. Beuys’ expanded denition of artistic creativity no longer limited art to the creation of tangible objects; instead, the social realm became a stage for embodied performance that actively required the participation of its audience for its completion.

This methodological approach has the potential to usher medieval studies outside the archive and into the embodied repertoire, yet social sculpture has never been explored within the context of medieval art history. For medieval art historians, social sculpture can provide a paradigm to rethink our approach to medieval materials, documents, and objects by reframing these extant materials as only one actor within the greater collage of embodied participation that shaped medieval religious, political, and social communities.

We seek to open this relatively new eld of study through a diverse and interdisciplinary special issue incorporating scholars’ work across the medieval world (broadly dened). As an online, open-access journal, Different Visions accommodates dynamic and interactive media. We invite submissions that include digital content such as video and audio clips or three-dimensional models.

Paper proposals should consider the intersections between embodied action and material culture, including but not limited to:

  • Participatory objects, performance, and spectacle

  • The role of the sculpted body-in-space in structuring religious and civic ritual

  • Animated images and automata

  • The migration and performative uses of portable objects along pilgrimage, procession, and trade routes

  • The various publics of medieval social sculpture

  • The representation and/or interaction of the body with ephemeral or recyclable materials, such as votive offerings in shrine space(s) and on cult objects

  • Delimiting premodern racial and religious communities through public oaths and acts of conversion

  • Manipulation of the body in penitential and confessory settings

Different Visions believes that peer review should be an open, productive, and reciprocal process. Submissions are reviewed by the editors, and then sent to external reviewers. The first stage of the external review will be double blind. Following the first review, author and reviewer(s) are invited to communicate and collaborate during the remaining review process.

Please submit a proposal of no more than 300 words to differentvisionsjournal@gmail.com by October 1, 2023. First drafts of accepted essays of approximately 10,000 words will be due in Fall 2024.

For questions please reach out to differentvisionsjournal@gmail.com.

You may also reach out to the special issue editors: Kris Racaniello at kris.racaniello@gmail.com and Ariela Algaze at aalgaze1@jhu.edu.

Different Visions is supported by St. Olaf College and Oklahoma State University.

For more information, see https://differentvisions.org/proposals-social-sculpture/.

For a PDF of the Call for Proposals, click here.

Call for Papers: MANUSCRIPT MANIFESTATIONS: POST-MEDIEVAL PERCEPTIONS OF MEDIEVAL MATERIAL CULTURE (I & II), Sessions at the 59TH ICMS, Kalamazoo (9-11 May 2024), Abstracts Due 15 September 2023

Call for Papers

MANUSCRIPT MANIFESTATIONS: POST-MEDIEVAL PERCEPTIONS OF MEDIEVAL MATERIAL CULTURE (I & II)

Sessions at the 59TH International Congress on Medieval studies, KALAMAZOO (MAY 9-11, 2024)

Abstracts due 15 September 2023

Literature, art, and, more recently, film have used the invented medieval manuscript to signal, construct, or untangle a relationship to a distant past. These two sessions seek to investigate the effects of these “manuscript manifestations” appearing after the Middle Ages. Who writes them? How do they appear? Most importantly, how do they reimagine a medieval past, and how does that imagined past reshape understandings of the present?

We welcome 15-20 minute papers from any discipline that examine post-medieval perceptions and deployments of manuscripts and manuscript culture. Abstracts of no more than 300 words must be submitted by 15 September 2023 via the Congress proposal portal: icms.confex.com/icms/2024/cfp.cgi

Questions may be directed to the session organiser, Catrin Haberfield: catrinh@stanford.edu

Call for Papers: Early Christmas Customs and Practices, Online Conference (16 December 2023), Abstracts Due By 1 September 2023

Call for Papers

Orthodox Academy of Crete, Medievalists.net, and After Constantine Journal

Early Christmas Customs and Practices

Online Conference, 16 December 2023 17:00 EET (11:00 ET)

Abstracts Due by 1 September 2023

The Orthodox Academy of Crete, Medievalists.net, and the After Constantine Journal are organizing an online conference entitled Early Christmas Customs and Practices, which will take place on Zoom on December 16, 2023, at 17:00 (Athens Time).

Early Christmas customs and practices varied across different regions and communities. Over time, these early traditions evolved and were influenced by cultural, religious, and historical factors, shaping the Christmas celebrations we know today.

This online conference intends to underline this variety of celebrations and traditions during Late Antiquity and Early Middle Ages and create an ecumenical discourse around the subject.

The topics of the conference (without being limited) are:

  • The role of the church in shaping Christmas rituals

  • Nativity scenes and the portrayal of the birth of Jesus

  • Caroling and the singing of Christmas hymns

  • The development of Christmas feasting

Scholars are welcome to submit their abstracts to the journal’s email address (info@afterconstantine.com) by September 1st 2023, in Word format.

For more information, click here.

Online Lecture: Modern Games, Medieval Wireframes, The J. Paul Getty Museum, 2 August 2023 11 AM PT

Modern Games, Medieval Wireframes

Wednesday, August 2, 2023, at 11 am PT (2 pm ET)

The J. Paul Getty Museum, ONLINE ONLY
Free | Advance sign-up required

Key art from Inkulinati, Developed by Yaza Games Sp. z o. o. © 2023 Daedalic Entertainment GmbH. All rights reserved.

Ever wonder why knights, dragons, and wizards abound in role-playing games like Dungeons and Dragons and popular video games like Assassin’s Creed? The medieval period offers alluring prospects for exciting visuals and dramatic storytelling, from the glowing colors of stained glass and tapestries to the visceral violence offered by swordfight duels and epic battles. This online conversation focuses on the ways in which medieval manuscripts in particular serve as a rich source of inspiration for modern gamemakers who reinterpret the period to appeal to contemporary audiences. Game specialists discuss how the imagery of the Middle Ages plays an integral role in helping games capture a sense of the medieval.

Compliments the exhibition Play and Pastimes in the Middle Ages.

PARTICIPANTS

Dorota Halicka is art director of Yaza Games, producers of Inkulinati, an ink-based digital strategy game based on medieval manuscripts.

Hannah Kennedy is art director of Pentiment, an adventure role-playing video game developed by Obsidian Entertainment and published by Xbox Game Studios.

Alf Seegert is a board game designer and professor at the University of Utah. His board games The Road to Canterbury and Illumination (Gryphon Games) are inspired by Chaucer's Canterbury Tales and medieval illuminated manuscripts.

Dr. Nava Streiter (moderator) is a medieval scholar and curator of the current Getty exhibition Play and Pastimes in the Middle Ages.

For more information, https://www.getty.edu/visit/cal/events/ev_3909.html

Call for Papers: FATE AND FORTUNE, Perth Medieval and Renaissance Group, Incorporated, 2023 Annual Conference, Due By 21 August 2023

Call for Papers

Perth Medieval and Renaissance Group, Incorporated, 2023 Annual Conference

FATE AND FORTUNE

UWA, Saturday 21 October 2023

Due By 21 August 2023

Renaissance thinkers were interested in moral philosophy, and they found inspiration in both ancient and medieval sources. How should one conduct themselves to be happy and useful within society? What will the future bring for us in a time of deep transformation? An image of a new world to be discovered; changed perspectives in astronomy and medicine; Renaissance humanity wondered whether they were able to influence their path in life, whether their decisions were dependent on a free will as Pico della Mirandola stated in his Oration on the Dignity of Man or were but the choice of an omnipotent God, as Catholics, and even more strongly Protestants, each emphasised. The role of Providence would become prevalent across European culture, from visual art to Shakespeare's plays, gradually replacing the capricious Wheel of Fate which was equally central to medieval thought.

This conference will broadly discuss themes concerning human destiny and the possibility of executing our own will, placed within the attempt to acquiesce to, to acquire, or to enforce a vision of peace and harmony within the constant social and political metamorphosis of the Renaissance, and of the world today.

Perth Medieval and Renaissance Group Incorporated welcomes abstracts which address the theme of 'Fate and Fortune' in the medieval and Renaissance periods including:

  • Representations of Providence, of destiny, or of doom in literature and literary works.

  • Paintings and sculpture relating to fate, divine or otherwise.

  • Philosophical works or analyses of Fate and Fortune, or those relating to ethics and utopias.

  • Astrology, which enjoyed a blooming during the

  • Renaissance much as it has today, with people turning to psychics, magic, and the stars to search for answers to important questions.

  • Political writings depicting the perfect ruler, a utopian vision, or condemning contemporary tyranny.

  • Social ideals that valorised the reception of an ancient wisdom, from the Stoics, Plato, Aristotle, or others.

  • Educational ideas inspired by Renaissance or classical philosophy, such as liberal and postcritical education.

We welcome abstracts for twenty-minute papers. This is an interdisciplinary conference, and we encourage abstracts from beyond the humanities. We particularly welcome submissions from undergraduate, honours, and postgraduate students, even if beyond the scope of the conference theme.

The conference will take place in hybrid form. Please specify in your submission whether you would attend in-person or online.

Please send abstracts of 150-200 words with your affiliation and a short (up to 50 words) biography to the conference subcommittee at pmrg.committee@gmail.com by 21 August 2023.

For further details, please see https://www.pmrg.org.au/conference2023.

Call for Papers: After Abu-Lughod: Comparative Frames for a Global Middle Ages, Exemplaria: Medieval / Early Modern / Theory, Due By 1 August 2023

Call for Papers

Exemplaria: Medieval / Early Modern / Theory

After Abu-Lughod: Comparative Frames for a Global Middle Ages

Due By 1 August 2023

Exemplaria is pleased to announce a call for a Special Issue examining the legacy of Janet Abu-Lughod’s landmark text of global medieval studies, Before European Hegemony, on the eve of the 35th anniversary of the book’s publication.

Scholars across disciplines continue to draw upon Janet Abu-Lughod’s book Before European Hegemony, published in 1989, as a means of conceptualizing the premodern world. We propose a discussion of emerging frameworks as well as revisions to or new applications of Abu-Lughod’s groundbreaking ideas. As a journal devoted to the intersection of theory and medieval studies, we invite panelists to theorize their approach to the Global Middle Ages or to reflect on the legacy and impact of Janet Abu-Lughod’s influential work. We welcome extensions of and revisions to her prescient model of medieval globalism, including interrogation of its temporal and spatial boundaries or its critical blindspots. We also welcome discussion of Abu-Lughod’s other writings beyond (or in relation to) Beyond European Hegemony.

Abu-Lughods’s ideas have found application in a wide array of disciplines—history, sociology, literature, art history, music, development studies and more—and we hope to draw scholars from an equally wide range of disciplines to contemplate her legacy.

If accepted, papers would be 7000-8000 words in length, with drafts due by July 1, 2024. Please send brief proposal Abstracts (250 words) by August 1, 2023 to Shirin Khanmohamadi (shirin1@sfsu.edu).