Exhibition Closing: Painted Pages: Illuminated Manuscripts 13th-18th Centuries, University of St. Joseph, 19 September - 13 December 2025

Exhibition Closing

Painted Pages: Illuminated Manuscripts 13th-18th Centuries

University of St. Joseph, West Hartford, CT

September 19 – December 13, 2025

This exhibition explores the golden age of handmade books. Medieval European examples include a range of Christian devotional and liturgical texts—from psalters and books of hours to choir books and lectionaries. Among the non-Western examples are seventeenth-and eighteenth-century leaves from the Koran and the Shahnameh (the Persian Illustrated Book of Kings) as well as Hebrew texts. This exhibition is organized by the Reading Public Museum, Reading Pennsylvania. At the University of Saint Joseph it is supported in part by the Karen L. Chase ’97 Fund.

For more information, visit https://www.usj.edu/about/arts/art-museum/exhibition/current/

Call for Papers: Church Archaeology Journal, Society for Church Archaeology, Due 20 Feb. 2026

Call for Papers

Church Archaeology Journal

Society for Church Archaeology

Due 20 February 2026

The SCA's peer-reviewed journal Church Archaeology is seeking submissions for its vol 26 (2026) issue. We welcome and provide initial editorial feedback on main research articles, shorter articles, news pieces, and book reviews about all kind of ecclesiastical places of worship, their burial grounds, and material culture.

Contact: editorchurcharchaeology@outlook.com

For more information, visit https://www.churcharchaeology.org/journal and https://www.liverpooluniversitypress.co.uk/journal/churcharch

Conference: Sanguis Christi. Culture visuelle/culture visionnaire (XIIIe-XVIIIe siècles), Louvain-la-Neuve, 3-5 December 2025

Conference

Sanguis Christi. Culture visuelle/culture visionnaire (XIIIe-XVIIIe siècles)

Louvain-la-Neuve, 3-5 December 2025

Ce colloque propose d’explorer comment la dévotion au Saint-Sang, sous ses multiples formes et manifestations (reliques, sacrement, miracles), a façonné et nourri l’émergence d’une culture visuelle en Europe depuis le Moyen Âge jusqu’au XVIIIe siècle.

C’est à travers la problématique du visuel, qu’il soit visible ou/et visionnaire, que seront approfondis les liens entre les questionnements théologiques, le développement et les évolutions d’une culture dévotionnelle, jusques et y compris dans ses dimensions sociales et politiques, ainsi que leurs effets sur les modes de représentation dans l’iconographie. Par culture visuelle / visionnaire, ce colloque entend ainsi donner une place à une approche qui sache interroger ce qui se donne à voir du Sang du Christ, en explorant l’articulation voire la tension qui émerge entre ce que le miracle rend perceptible aux sens et ce qui, par essence, échappe à la perception, ouvrant ainsi le fidèle à une dimension spirituelle et sacrée et à de nouvelles modalités de mise en visibilité du divin.

Comité organisateur : Manon Chaidron (UClouvain), Ralph Dekoninck (UCLouvain), Annick Delfosse (ULiège), Mathilde Marès (UCLouvain), Matthieu Somon (UCLouvain) et François Wallerich (UCLouvain).

For the conference program, click here.

For more information, click here.

Murray Seminar: Imago Dei, Imago Mundi: Matthew Paris’s saints, relics, maps and wonders, Paul Binski, Birbeck, 17 Nov. 2025 17:00-18:30 GMT (In-Person & Online)

Murray Seminar

Imago Dei, Imago Mundi: Matthew Paris’s saints, relics, maps and wonders

Paul Binski

Online and

Birkbeck 43 Gordon Square

17 November 2025, 17:00 — 18:30 GMT

Book your place to attend online.

Book your place to attend in-person (Waiting List).

At this Murray Seminar, Paul Binski will share his research on 'Imago Dei, Imago Mundi: Matthew Paris’s saints, relics, maps and wonders'.

This paper will place one aspect of Matthew’s work, his representations of exceptional things, in the context of his unfolding life story. It will discuss his unusual position as a writer and artist, his interest in saints and relics, his map-making and his recording of wonders as part of a single and in many ways coherent view of the World.

Paul Binski is a Fellow of the British Academy and a Corresponding Fellow of the Medieval Academy of America, and was Slade Professor, Oxford University, 2006-7.  A leading international authority on Gothic art and architecture, and medieval culture more widely, his publications include Westminster Abbey and the Plantagenets (1995), Becket’s Crown. Art and Imagination in Gothic England 1170-1300 (2004), Gothic Wonder: Art, Artifice and the Decorated Style 1290-1350 (2014). He published Gothic Sculpture in 2019 and Architecture and Affect in the Middle Ages in 2024. He now writes widely on general issues of aesthetics, ethics, affectivity and form in the Middle Ages, and is also a guest curator at the National Gallery, London.

Call for Papers: Ex Labore Fructus, IX International Congress O Camiño do Medievalista, Santiago de Compostela (25-27 Mar. 2026), Due by 1 Dec. 2025

Call for Papers

IX International Congress O Camiño do Medievalista

Ex labore fructus

Santiago de Compostela, 25-27 March 2026

Due 1 December 2025

Once again, we are pleased to invite you to take part in this meeting, which aims to be a place of encounter for those who are beginning their research journey into the Middle Ages, where young medievalists join once more in this fruitful tradition. With this ninth edition of the International Congress O Camiño do Medievalista, we intend to create an interdisciplinary space where diverse lines of research converge, in order to gather and sow knowledge contributed by each field of study on the medieval world.

As in previous editions, we intend to offer a meeting open to all branches of Medieval Studies that we summarize in seven non-exclusive paths, since any other topic will be welcome:

  1. History: power, society, economy and culture.

  2. Art and Iconography.

  3. Philology, language and literature.

  4. Written culture and archives.

  5. Historiography, Innovation and Digital Humanities.

  6. Philosophy and Thought.

  7. Archaeology.

PhD students and PhDs who have read their thesis after January 1, 2022 may apply.

They must be sent by completing the next form: https://forms.gle/pRkMXqAg8QTu9dFq8.

The proposals, which must be original (not previously presented or published), must include a brief CV (150 words) and a summary (between 250 and 500 words) written in one of the accepted languages: Spanish, Galician, English, French, Portuguese or Italian.

Publication of accepted proposals: December 23, 2025.

Each communication will have a maximum duration of 15 minutes and may be given in any of the languages mentioned above.

Another form of participation will be round tables. In this case, a minimum requirement of three people and the presentation of a specific topic is required, for which they will have a total of 45 minutes, between presentation and debate.

Publication:

The resulting texts, provided they successfully pass the corresponding peer-review process, may be published as an electronic book as part of the editorial collection El Camino del Medievalista, under the publishing imprint of the University of Santiago de Compostela.

The price set for the communicators will be €30.

For more information, visit https://elcaminodelmedievalista.wordpress.com/call-for-papers-appel-a-communications-2023/

For a PDF of the full call for papers in English, click here.

Call for Applications: Society for Church Archaeology Research Grant, Due by 30 Nov. 2025

Call for Applications

Society for Church Archaeology Research Grant

Due by 30 November 2025

The Society for Church Archaeology invites applicants for its annual research grant. The amount requested should not exceed £1,500 and application is open to members of the Society proposing a research project, including fieldwork where appropriate, in any area of church archaeology. Applications from those outside the Society will also be considered, so long as they become a member, if successful. 

The grant can cover, or contribute to, research expenses, including travel, materials and accommodation, but not capital equipment nor the applicant’s salary (although specialist’s fees are eligible). The Society is pleased to accept applications for pilot projects; funding to help attract larger grants; discrete projects within the framework of a larger project; and small stand-alone projects. We welcome applications from academics, professionals, non-professionals and particularly from early career scholars and postgraduate students (although the Society will not cover university fees).

How to Apply

Please read the Notes for Applicants, which outlines the conditions of the grant, and use the application form provided. Applicants should email the form to Dr Kristján Ahronson at kristjan.ahronson@alumni.utoronto.ca by November 30th each year. Decisions are made in January of the following year.

For the relevant documents, previous winners, and more information, visit https://www.churcharchaeology.org/research

Lecture: A Spectrum of Desires: Queering Medieval Art at the MET Cloisters, Nancy Thebault, The Courtauld, London, 17 Dec. 2025 17:30-19:00

Lecture

A Spectrum of Desires: Queering Medieval Art at the MET Cloisters

Nancy Thebault, University of Oxford

Vernon Square Campus, Lecture Theatre 2

The Courtauld, London

17 December 2025, 17:30 - 19:00 GMT

Two Riddles of the Queen of Sheba, ca. 1490-1500, Strasbourg. Linen warp; wool, linen, and metallic wefts. 31.5 x 40 inches. The Cloisters Collection, 1971.43

On view from October 17, 2025 to March 29, 2026 at The Met Cloisters, New York, Spectrum of Desire explores the diverse and sometimes surprising ways that medieval people thought about love, sex, and gender in the medieval past. In this talk, Nancy will offer an overview of the exhibition, which she co-curated with Melanie Holcomb (Metropolitan Museum of Art) as well as share new research on one of the objects featured in the show, namely a tapestry of the Queen of Sheba posing riddles to Solomon. Her study of the tapestry, which was made in late 15th-century Strasbourg, aims to shed light on the ways that medieval people were thinking about the relationship between gender, nature, and art making itself.

Nancy Thebaut is Associate Professor of the History of Art at the University of Oxford and a tutorial fellow at St Catherine’s College. She earned her PhD from the University of Chicago in 2019, a museum studies diploma from the Ecole du Louvre in 2011, an MA in the History of Art from the Courtauld in 2009, and her BA from Agnes Scott College in 2008. She is co-curator of Spectrum of Desire: Love, Sex, and Gender in the Middle Ages with Melanie Holcomb, and she is also co-author of the accompanying exhibition catalogue, published by the Metropolitan Museum and Yale University Press. In addition to her curatorial work, Nancy is also completing a book on Carolingian and Ottonian liturgical images, entitled Lessons in Looking: Difficult Images of Christ ca. 850-1050.

Organised by Dr Jessica Barker, Senior Lecturer in Medieval Art History, The Courtauld, as part of the Medieval Work-in-Progress Series. This series is generously supported by Sam Fogg.

For information and to book tickets, visit https://courtauld.ac.uk/whats-on/a-spectrum-of-desires-queering-medieval-art-at-the-met-cloisters/

Call for Papers: The Long Middle Ages, A New Seminar Series Hosted at the University of Leeds, Due by 28 Nov. 2025

Call for Papers

The Long Middle Ages

A New Seminar Series Hosted at the University of Leeds

Due by Friday, 28 November 2025

We are excited to announce a new interdisciplinary seminar series for postgraduate students and early career researchers on the Long Middle Ages, a period covering the Late Antique, Medieval, and Early Modern Periods. This series aims to bring together scholars working across this period to establish new connectivity and inclusivity between these disciplines, and to provide a more relaxed space for new and emerging researchers to present and test out ideas.

We welcome submissions of 20-30 minute papers from postgraduates and early career researchers working in any discipline and on any topic related to the late antique, medieval and early modern periods. Papers will be followed by time for questions and further discussion.  

Seminars will commence in early 2026 and run on a regular basis until summer. If you are interested in presenting a seminar, please send an abstract of no more than 250 words as well as a short biography to the organisers at thelongmiddleages@gmail.com by Friday 28th November 2025. 

For a PDF of the Call for Papers, click here.

All seminars will take place at the University of Leeds in a hybrid format, with fully online formats available upon request. Please provide your preference in your submission. If you have any further questions, please do get in touch! 

Mary Jaharis Center for Byzantine Art and Culture Online Lecture: Worshipping the Mother Goddess: An Underground Cult Complex in Late Antique Aphrodisias, Ine Jacobs, 2 Dec. 2025 12:00-1:30 PM (Zoom)

Online Lecture

Worshipping the Mother Goddess: An Underground Cult Complex in Late Antique Aphrodisias

Ine Jacobs, University of Oxford

Mary Jaharis Center for Byzantine Art and Culture

December 2, 2025 | Zoom | 12:00–1:30 pm (Eastern Standard Time, UTC -5)

Late Antique Kybele statuette excavated from the House of Kybele, Aphrodisias. Image: © Aphrodisias excavations, photo by Ian Cartwright

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the next lecture in our 2025–2026 lecture series.

Excavations in a suburban neighborhood of Aphrodisias have revealed a remarkably well-preserved underground cult complex dedicated to the Anatolian mother goddess Kybele. Concealed within the basement level of a large late antique private mansion—strategically positioned between the residence’s public quarters and an east–west street—the complex consists of a spacious central cult chamber, several smaller subsidiary rooms, a long subterranean corridor, and a lightwell that, in its final phase, was sealed and adapted for communal dining. To date, the sanctuary has been traced over an area of 26 by 15 meters, though it almost certainly extended further.

Originally established in the imperial period, the complex underwent several renovations in Late Antiquity, including a near-total rebuilding in the later 5th century. The sanctuary in this form remained active into the early 7th century, until the mansion that housed it was abruptly destroyed by fire in 617. Excavations have yielded a rich assemblage of cult equipment, including four statuettes of Kybele, effigies of other deities, three enigmatic “mountain busts,” amulets, numerous ceramic incense burners, ceramic and copper-alloy lamps, and copper-alloy tableware.

This presentation examines the architectural setting of the complex, structural features, cultic imagery, associated material culture, and the broader social and religious conditions at Aphrodisias that allowed pagan worship to endure into the 7th century.

Ine Jacobs is the Stavros Niarchos Foundation Associate Professor of Byzantine Archaeology and Visual Culture at the University of Oxford.

Advance registration required. Register: https://maryjahariscenter.org/events/worshipping-the-mother-goddess

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

Call for Pre-Application Statement of Intent: Peter Fergusson PhD Scholarship in English Medieval Architecture, The Courtauld, London, Due by 17 Nov. 2025

Call for Pre-Application Statement of Intent

Peter Fergusson PhD Scholarship in English Medieval Architecture

The Courtauld, London

Due by 17 November 2025

Fountains Abbey. Photo: Tom Nickson

 The Courtauld is delighted to announce a new fully funded PhD scholarship in English medieval architecture, starting in September 2026. Architecture is understood broadly to encompass the built environment, from infrastructure, urban design and domestic buildings to churches, castles and cathedrals, but may also include architectural representation or micro-architecture. Eligible projects should focus on England in the period between the eleventh and early sixteenth centuries. 

The scholarship is made available thanks to a generous bequest by Professor Peter Fergusson (1934-2022), an internationally recognised scholar of medieval architecture. The scholarship includes full home or international tuition fees, as well as an annual stipend of £22,780 to support the costs of living in London. There is also an annual allowance of £1000 to support travel for research purposes, and the possibility of financial support for the scholar to organise a conference in their final year of study.  

The Courtauld is based in central London and has one of the largest communities of postgraduate art historians in the world. The extensive faculty includes several specialists of medieval art and architecture. Further details of research specialisms and contact details are available at https://courtauld.ac.uk/faculty and details of The Courtauld’s PhD programme and its application process can be found at https://courtauld.ac.uk/phd  

Candidates are expected to have a strong postgraduate degree in a relevant field and a feasible idea for an original research project. They are encouraged to contact prospective supervisors to discuss their application at the earliest opportunity and must submit a ‘pre-application’ statement of intent by 17 November 2025, in advance of formal submission of their application by 8 January 2026

Call for Sessions and Papers: 11th Conference of the Medieval Chronicle Society, Munich (27-30 July 2026), Due by 10 Nov. 2025

Call for Sessions and Papers

11th Conference of the Medieval Chronicle Society

27-30 July 2026, Munich, Germany

Due by 10 November 2025

The 11th international conference on the Medieval Chronicle will be held in Munich, Germany, in the week of July 27th to 30th 2026. Papers in English, French or German are invited on any aspect of the medieval chronicle.

The 11th international conference on the Medieval Chronicle will be held in Munich, Germany, in the week of July 27th to 30th 2026. Papers in English, French or German are invited on any aspect of the medieval chronicle. These can for example be related to form, function, questions regarding historiography or images. However, we especially encourage papers related to our special focus “Chronicle in Danger”. Themes to be addressed may include, but are not limited to:
Use and abuse of the chronicle, both in the Middle Ages and thereafter

  • Creation of crisis narratives in chronicles. Including questions regarding blaming, scapegoating, hate, compassion, and cohesion during crises

  • Gender, race, class and religion in the chronicle: Concepts of othering and exclusion

  • Materiality of the chronicle and future perspectives concerning preservation and digitization

  • Challenges of ‘outdated’ editions and of editing chronicles in the 21st century

We welcome submissions for individual papers and sessions. Each session will be 90 minutes and consist of three papers. For a session proposal please include three papers and a chair. Conference papers will be strictly limited to 20 minutes in length. Please note that the conference will take place in-person and no hybrid access can be provided.

The submission deadline for abstracts (maximum length 200 words per paper) and sessions is Monday, November 10th, 2025. Please submit abstracts below.

Notifications of acceptance will be given by the end of January 2026 and the registration will follow in spring 2026. We are estimating a conference fee of €90 (reduced rate €60 for PhD/graduate students) and additional fees forexcursions on Thursday, July 30th and a conference dinner. Travel and accommodation have to be covered and organized individually.

Recommendations for accommodation in Munich can be found here.

Contact: Florian Datz (florian.datz@lmu.de)

Organizers: Prof. Julia Burkhardt, Florian Datz, M.A., Prof. Eva Haverkamp-Rott, Dr. Paul Schweitzer-Martin (LMU Munich)

To submit your proposed session or paper, click here.

Online Lecture for Mary Jaharis Center: Mediating Touch: Ivory Pyxides and the Eucharist, Evan Freeman, 17 Nov. 2025 12:00-1:30PM (Zoom)

Online Lecture

Mediating Touch: Ivory Pyxides and the Eucharist

Evan Freeman, Simon Fraser University

Mary Jaharis Center for Byzantine Art and Culture

November 17, 2025 | Zoom | 12:00–1:30 pm (Eastern Standard Time, UTC -5)

Circular Box (Pyxis) with the Miracle of Christ’s Multiplication of the Loaves. New York, The Metropolitan Museum of Art, Gift of J. Pierpont Morgan, 1917 (17.190.34a, b). Photo: The Metropolitan Museum of Art. Creative Commons Zero (CC0) (https://www.metmuseum.org/art/collection/search/464317)

The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce the next lecture in our 2025–2026 lecture series.

A large body of round ivory boxes, also known as pyxides, survive from late antiquity. Each pyxis was cut from a section of elephant tusk and decorated with carvings. Most were likely produced around the Eastern Mediterranean between the fifth and seventh centuries CE, but the precise origins and functions of these objects are difficult to pinpoint. Several boxes display motifs associated with the Eucharist, leading scholars to speculate that they may have been used to bring the Eucharist home, on journeys, or to those who could not come to church. More recently, it has been suggested that ivory pyxides were used by worshippers who felt unworthy to receive Communion directly in their hands, as prohibited by canon 101 of the Quinisext Council held in Constantinople in 691/692. This talk offers a close examination of ivory pyxides that may have been used for receiving Communion in church as described by this canon. It argues that these boxes and their iconographic motifs were designed to appeal to the senses of sight and touch. If they were used for receiving Communion as described by the Quinisext Council, such boxes would have mediated physical contact with the Eucharist, warned and protected against the dangers of faithless and unworthy touch, and offered biblical models for worshippers to imitate as they sought salvation in the celebration of the Eucharist.

Evan Freeman is Assistant Professor and Hellenic Canadian Congress of British Columbia Chair in Hellenic Studies in the Department of Global Humanities and the Stavros Niarchos Foundation Centre for Hellenic Studies at Simon Fraser University in Burnaby, Canada. He researches art and ritual in the Byzantine world, recently co-editing the volume Byzantine Materiality (2024) with Roland Betancourt. He is also Contributing Editor for Byzantine art at Smarthistory, the Center for Public Art History, where he co-edited Smarthistory Guide to Byzantine Art (2021) with Anne McClanan.

Advance registration required. Register: https://maryjahariscenter.org/events/mediating-touch

Contact Brandie Ratliff (mjcbac@hchc.edu), Director, Mary Jaharis Center for Byzantine Art and Culture with any questions.

New Exhibition! Gilded Books: Treasures of the Reading Room, Château de Chantilly, France, 15 Oct. 2025 - 4 Jan. 2026

New Exhibition

Gilded Books: Treasures of the Reading Room

Reading Room, Château de Chantilly, France

15 October 2025 - 4 January 2026

Board covered with a repoussé copper plate, 14th-century.
Centre: enamel crucifix, circa 1200,  ©RMN-GP

The Reading Room is currently restoring its extensive collection of gilt bindings, providing visitors with an opportunity to explore the unrivalled brilliance of the Duke of Aumale’s princely library.

Gold leaf became more widely used in bookmaking with the introduction of the codex – bound collections of folded sheets – and the rise of Christianity from the 4th century, which increased demand for ornate texts. This exhibition will feature a collection of extraordinary books, from medieval ecclesiastical treasures to royal and princely collections and prestigious 19th-century works, and reveal the remarkable quality of their decorations, the metals employed and the techniques used to bind, illuminate and write them.

Among the techniques used for gilt bindings are metal setting, embossing and filigree-work. From the 14th century, brocaded or embroidered fabric bindings began to feature gold and silver metallic threads, often embellished with silk thread. Leather was commonly employed for bindings from the 16th to the 19th centuries, and the Duke of Aumale’s collection contains examples of many different types of gilding techniques and designs, including gilt tracing for complex decorations and patterns.

Gilt and gauffered edges, hidden from view, were tooled with decorative patterns well into the 19th century.

As visitors move through the exhibition, they delve deeper into the book. Gold was also used on board backs, which were often covered with decorative leather or gilt endpapers, a common 18th-century practice. Gauffered papers, a speciality of Augsburg and Nuremberg, featured brass and alloys of zinc, copper, tin or even lead.

Gold was also used for illuminations to illustrate text and for letters. Among the rarest books in the exhibition are works printed with gold ink, including a 1482 edition of Euclid’s Elements by Erhard Ratdolt dedicated to the Doge of Venice, and an 1836 Gospel printed with gold letters on porcelain paper from the library of King Louis Philippe at Neuilly.

For more information, visit https://chateaudechantilly.fr/en/evenement/exhibition-gilded-books-treasures-of-the-duke-of-aumale/

Online Lecture: Creating Christian Sacred Spaces: The Armenian Case (4th–7th Centuries), Nazénie Garibian, 4 Nov. 2025, 12:00-1:30 PM ET (Zoom)

Online Lecture

Creating Christian Sacred Spaces: The Armenian Case (4th–7th Centuries)

Nazénie Garibian

The Mary Jaharis Center for Byzantine Art & Culture Lecture Series

Zoom

4 November 2025, 12:00 PM–1:30 PM ET

Archaeological Site of Zvartnots from above. Photo: Nazénie Garibian

Nazénie Garibian, Mesrop Mashtots Institute of Ancient Manuscripts Matenadaran and State Academy of Fine Arts of Armenia, explores the creation of Christian sacred spaces in Armenia, from its official conversion at the beginning of the 4th century to the definitive establishment of Arab rule at the end of the 7th century.

This lecture offers a case study on the creation of Christian sacred spaces in Armenia, from its official conversion at the beginning of the 4th century to the definitive establishment of Arab rule at the end of the 7th century. This is a complex and turbulent transitional period for all of Christendom, during which the gradual transformation of the religious landscape is carried out through the marking of both physical grounds and human minds, conceived as a single space of the Church. Accordingly, any theological concept relating to the Church in its universal and eternal sense becomes applicable to this space. However, Christianity was adopted in Armenia largely by adapting to the existing political and social structures, as well as to the previous local religious traditions. Moreover, the fluctuating historical conditions inherent to the contact zones between the Roman/Byzantine and Iranian worlds profoundly shaped the formation of Armenian Christian identity and thought. All these factors largely defined the specificities of the concept and architectural organization of Armenian sanctuaries in the period under consideration. 

The lecture is structured around three main themes. The first theme focuses on the foundation of Armenian ecclesiastical institutions connected with the earliest Christian sanctuaries. The latter’s establishment, character, and geographical distribution will be analyzed using source evidence and situated within the historical context of the region during the first decades of the 4th century. 

The second theme addresses the adoption in Armenia of sacred models originating from the Holy Land, particularly Jerusalem, with the aim of creating a ‘New Jerusalem’ in Armenia at the beginning of the 5th century. The theological motivations underlying this initiative will be examined within the context of the contemporary political situation. The Armenian case will also be compared with similar examples among neighboring Christian countries in the Caucasus. 

The third theme explores the development of major ecclesiastical complexes from the 4th to the 7th centuries, which served as the household and see of the Catholicoi of Armenia. Three selected examples – Ashtishat, Dvin, and Zvartnots – will be analyzed within the framework of a new urban concept: the ‘church-city’. Inheriting the tradition of the ancient ‘temple-towns’, the spatial organization and architecture of these religious centers were designed, drawing inspiration from the sacred model of Jerusalem perceived as quintessential Christian Temple, Church, and Holy City.

This lecture will take place live on Zoom, followed by a question and answer period. Please register to receive Zoom link.

For more information and to register, visit https://maryjahariscenter.org/events/creating-christian-sacred-spaces

Conference: Zooming In and Out: Reconsidering Hans Memling, Brugge, 20-21 November 2025

Conference

Zooming In and Out: Reconsidering Hans Memling

Auditorium BRUSK, Musea Brugge (Bruges, Belgium)

20-21 November 2025

To celebrate its opening in 2025, BRON Research Centre (Musea Brugge), in collaboration with the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels), is organising a two-day conference on new and ongoing research on the oeuvre of Early Netherlandish painter Hans Memling.

In 2023 the first phase of the research project Closer to Memling commenced. Closer to Memling is a project initiated by Musea Brugge in collaboration with other institutions to thoroughly examine the 9 works by Hans Memling in its collection. The aim of this project and conference is to contextualise previous studies and stimulate new research on the painter in an interdisciplinary exchange between leading and new scholars in the field.

For more information and to register, visit https://www.museabrugge.be/en/collections/bron/bron_academy/zooming_in_and_out_memling#anchor-35182164

Call for Applications: Folger Institute Short-Term Fellowships, Due 15 Jan. 2026

Call for Applications

Folger Institute Short-Term Fellowships

Due 15 January 2026

Applications are open through January 15th, 2026 for Folger Institute Short-Term Fellowships!

Each year the Folger Institute awards research fellowships to create a high-powered, multidisciplinary community of inquiry. This community of researchers may come from different fields, and their projects may find different kinds of expression. But our researchers share cognate interests in the history and literature, art and performance, philosophy, religion, and politics of the early modern world.

Short-term fellowships support scholars whose work would benefit from significant primary research for one, two, or three months, with a monthly stipend of $5,000 per onsite month and $4,000 per virtual month. These fellowships are designed to support a concentrated period of full-time work on research projects that draw on the strengths of the Folger’s collections and programs.

For the 2026-27 fellowship year, short-term fellows will have the option to take their fellowship fully onsite, fully virtual, or a combination of the two. Applicants may propose any research schedule that best fits their project’s needs.

The deadline for short-term fellowship applications is January 15, 2026.

For more information, visit https://www.folger.edu/research/the-folger-institute/fellowships/apply-for-a-fellowship/short-term-fellowships/

Call for Applications: Postdoctoral fellowship for East Central European researchers in Gotha, Halle and Wolfenbüttel (3 months), Due by 31 October 2025

Call for Applications

Postdoctoral fellowship for East Central European researchers in Gotha, Halle and Wolfenbüttel (3 months)

Due by 31 October 2025

The Gotha Research Centre of the University of Erfurt, the Francke Foundations in Halle and the Herzog August Library in Wolfenbüttel can again award a three-month scholarship for 2026 to an excellent postdoctoral researcher from the East Central European region to research their holdings. The international scholarship programme is open to all historically oriented disciplines. It supports projects geared towards researching the holdings of all three institutions, linking them and relating them to each other. A central requirement of this programme is that the library holdings are essential to the proposed research project.

Further information about the scholarship can be found here: https://www.francke-halle.de/en/science/research-centre/postdoc-fellowship-east-central-europe

Call for Papers: Decentring Europe: Nordic–Iberian Histories in Transregional Perspective, 4th SWESP International Workshop, Gothenburg (21-22 May 2026), Due 15 Nov. 2025

Call for Papers

4th SWESP International Workshop

Decentring Europe: Nordic–Iberian Histories in Transregional Perspective

University of Gothenburg, 21-22 May 2026

Due 15 November 2025

The CFP for the 4th SWESP International Workshop has just been launched. With the title “Decentring Europe: Nordic–Iberian Histories in Transregional Perspective”, it will take place on 21-22 May 2026 at the University of Gothenburg.

The workshop is free of charge, and we offer partial bursaries to cover travel costs for doctoral students and early-career researchers with limited access to funding. Please see the attached CFP for details about how to apply for a bursary.

Conference Theme: This interdisciplinary conference seeks to explore the multifaceted connections and entanglements between the Nordic and Iberian worlds. Moving beyond traditional centre-periphery and modernisation narratives, the event aims to foster dialogue on how exchanges across these regions have shaped diplomatic, economic, political, and cultural networks from the late medieval period to the contemporary era. We welcome approaches from comparative and transnational history, histoire croisée (entangled history), and other interdisciplinary frameworks that examine both the continental lands and the overseas territories of these regions.

Topics: We invite contributions from a wide range of disciplines, including history, literature, arts, philosophy, and the social sciences. Topics may include, but are not limited to: Cross-regional diplomatic, religious, and military networks; Movements of people, goods, and ideas; political exile and migration; Comparative studies of governance, reform, and military/maritime infrastructures; Cultural exchange, translation, and artistic reception; Knowledge production and scientific transfer; Comparative gender, family, and welfare structures; Environmental and climatic histories; Transregional solidarities and intellectual entanglements.

Submission Guidelines: We encourage submissions that focus on specific historical periods or adopt cross-temporal perspectives. The workshop aims to illuminate the shared questions and conceptual paradigms that emerge from studying the Nordic and Iberian regions in relation to one another.

Key dates: Proposals should be sent in a Word or PDF document containing a title, a short abstract (max. 250 words), and the author’s name and affiliation to the organisers at swespnet@gmail.com no later than 15 November 2025. The results of the selection process will be communicated by 15 December 2025. If you wish to request a bursary, please include a short motivation letter (max. 250 words) explaining how attending the workshop may impact your career, with details of available funding.

Organising Committee: A. Jorge Aguilera-López (University of Helsinki), Enrique J. Corredera Nilsson (University of Bern), Lucila Mallart (Pompeu Fabra University, Barcelona), Kenneth Nyberg (University of Gothenburg), Ingmar Söhrman (University of Gothenburg).

Please see the full CFP here.

Call for Papers: The Medici and the Dominicans, Florence (20 Jan. 2026), Due by 15 Nov. 2025

Call for Papers

The Medici and the Dominicans

Friday, 30 January 2026

Palazzo Alberti, Florence

Due by 15 November 2025

In partnership with the the Library and Archive of Santa Maria Novella (Florence), the academic journal Memorie Domenicane, and the Leonine Commission (Paris), the Medici Archive Project is organizing a one-day conference on the relationship between the Medici (both the merchant-bankers of the quattrocento and the grand dukes of the later centuries) and the mendicant order founded by Dominic de Guzmán at the beginning of the thirteenth century.

This conference intends to reassess this complex relationship—sometimes symbiotic, often strained—that indelibly marked the history of Florence. Priority will be given to papers addressing the interpenetration between artistic production and patronage, religious dissent, political crises, book and print history, and humanist and scientific discourse. The organizers invite proposals for 20-minute unpublished papers in English or Italian, which address topics including, but not limited to:

  • Medici Presence at San Marco

  • Antonino Pierozzi: Patronage and Canonization

  • The Medici and Santa Maria Novella

  • The Medici Library and the Library at San Marco

  • The Medici and the Observant and Conventual conflict in the Quattrocento

  • The Studia of Florence and Pisa

  • Savonarola and Piagnonism

  • Neo-Piagnonism at the Time of the Medici Grand Dukes

  • Santa Caterina de' Ricci and the Convent of San Vincenzo in Prato

  • Cosimo I and the 1545 San Marco Crisis

  • Medici and Dominican Fonderie in Florence

  • Egnazio Danti and Mapmaking

  • The Medici Popes at Santa Maria Sopra Minerva in Rome

  • Plautilla Nelli and Santa Caterina da Siena in Florence

  • Paupertas, Majestas, and Simplicitas

  • The Dominicans in Florence during the "Forgotten Centuries"

The conference will take place at Palazzo Alberti in Florence on Friday, 30 January 2025.

To apply: please send an abstract (max 250 words) and a short bio (max 100 words) by 15 November 2025 to education@medici.org.
Successful applicants will be notified on 25 November 2025.

Call for Papers: Bridging the Past and Present in Cartography, 31st ICHC, Prague (7-11 July 2026), Due by 14 Nov. 2025

Call for Papers

Bridging the Past and Present in Cartography

31st International Conference on the History of Cartography (ICHC)

7-11 July 2026, Prague, Czech Republic

Due by 14 November 2025

The Faculty of Science of Charles University, the Institute of History of the Czech Academy of Sciences, the Moravian Library in Brno, the Faculty of Science of Masaryk University, and the Czech Geographical Society, under the auspices of the Czech Cartographic Society, are pleased to invite proposals for papers and posters for the

ICHC is the only academic conference solely dedicated to advancing knowledge of the history of maps and mapmaking, regardless of geographical region, language, period or topic. ICHC promotes free and unfettered global cooperation and collaboration among cartographic scholars from many academic disciplines, curators, collectors, dealers and institutions through illustrated lectures, presentations, exhibitions, and a social program. In order to expand awareness of issues and resources, each conference is sponsored by a leading educational and cultural institution.

The biennial conferences are organized in conjunction with Imago Mundi CIO. ICHC 2026 builds upon Czechia’s robust tradition of research in the history of cartography and related disciplines, a tradition that has flourished for more than a century.

Under the broad rubric of Bridging the Past and Present in Cartography, ICHC 2026 welcomes paper and poster presentations on the following themes:

  1. Maps and Tourism - Encompasses the role of maps and related works in promoting tourism to regions or particular destinations and in the experience of touristic places.

  2. Maps as Artefacts - Investigates the nature of maps as cultural object s that circulate within the marketplace and other networks, and that are variously collected and preserved within institutions of memory (GLAM).

  3. The Third Dimension: Representing Elevation on Maps - Explores the particular strategies developed to represent the earth’s crumpled surface of hills and valleys for specific tasks, from military and geological mapping to forest management.

  4. Mapping the Past: Historical Cartography at the Turn of the Digital Era- Pursues interdisciplinary and critical perspectives on the ideological implications of new digital technologies in mapping the past, including the risks of distortion and of the instrumentalisation of historical content for political or ideological purposes.

  5. And any other aspect of the history of cartography.

Key Dates

  • Opening of the call for papers: 15 July 2025

  • Deadline for submission of proposals: 14 November 2025

  • Notification of acceptance: 15 January 2026

  • Early Bird Registration: until 15 April 2026

Papers

Paper presentations will comprise 15 minutes for presentation, followed by a short discussion.

Posters

Posters will be installed for a dedicated session on the second morning of the conference and will remain on display through the remainder of the conference.

Panel Proposals

We welcome the proposal of organized sessions. However, proposals for paper presentations, whether by one or more presenters, must be submitted and evaluated individually. Therefore, if a proposed paper is intended for an organized session, please include the information at the end of the submission form. The session’s organizer must also submit a separate proposal for the session that lists all the papers and presenters.

For more information, visit https://ichc2026.org/