Becket's final days, murder, and posthumous career as a miracle-worker are among the best-documented episodes from the Middle Ages.

This conversation, between art historians Paul Binski and Alixe Bovey, will explore the way Becket's universality as a martyr was embodied in the architecture of Canterbury Cathedral, evoking the heroic age of early Christian martyrdom. 

As the objects in the exhibition Thomas Becket: murder and the making of a saint reveal, Becket's story was codified in word and image with extraordinary speed, in England and across Europe. What was the role of images and objects in promoting Becket's cult, and how and why did Becket's cult so rapidly come to define its age?

To attend this event

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5:30 PM - 6:30 PM British Summer Time/ 12:30 PM - 1:30 PM Eastern Time

This event includes live captioning provided by Stagetext(Opens in new window) and delivered by MyClearText(Opens in new window).

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